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Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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Painting ID:: 21726
Suanna and the Elders (mk08)
C.1621/22
Oil on canvas
194X144cm
Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek
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Painting ID:: 21727
St Marrin Dividing his Cloak (mk08)
C.1618
Oil on panel,
171.6x158cm
Zaventem,St Martin
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Painting ID:: 21728
Portrait of Maria Louisa de Tassis (mk08)
c.1630
Oil on canvas,
130x93.5cm
Vaduz,Furst Liechtensteinische Gemaldegalerie
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Painting ID:: 21729
The Count of Arundel and his son Thonmas (mk08)
1636
Oil on canvas
187x162cm
Madrid,Museo del Prado
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Painting ID:: 21730
Equestrian Portrait of Charles (mk08)
c.1635-1640
Oil on canvas.
367x292cm
London,National Gallery
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Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
. Related Artists to Anthony Van Dyck: | Kramskoy, Ivan Nikolaevich | Karl Kaspar Pitz | Otakar Lebeda | August Jerndorff | Berkes Antal |
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