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Luca Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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Painting ID:: 20060
The Birth of st John the Baptist (mk05)
Wood 12 1/2 x 27 1/2''(32 x 70 cm)Entered the Louvre in 1824
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Painting ID:: 21226
Portrait of a Lawyer (mk08)
c.1490-1500
Oil on wood,
50x32cm
Berlin Gemaldegalerie,Staatliche
Museen zu Berli-Preubischer
Kulturbesitz
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Painting ID:: 21227
The Damned Cast in Hell (mk08)
1499-1503
Fresco totao width.
c.670cm
Orvieto,Duomo,Cappella di San Brizio
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Painting ID:: 23498
The Flagellation of Christ (nn03)
c 1490 Oil on panel 85.5 x 62 cm 33 1/4 x 24 3/8 in Pinaoteca di Brera Milan
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Painting ID:: 25892
Middle-Aged Man (mk45)
c.1500
Oil on panel
50x32cm
Berlin,Staatliche Museen zu Berlin-PreubischerKulturbesitz,Gemaldegalerie
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Luca Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
. Related Artists to Luca Signorelli: | Ludwig Hans Fischer | Brocky, Karoly | PIOLA, Domenico | Markus Pernhart | anguissola sofonisba |
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