|
|
SPADA, Lionello
Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
|
|
|
|
|
Painting ID:: 9145
The Concert wtr
c. 1615
Oil on canvas, 143 x 172 cm
Mus??e du Louvre, Paris
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 9146
St Jerome ear
1610s
Oil on canvas, 112 x 143 cm
Galleria Nazionale d'Arte Antica, Rome
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 20374
The Return of the Prodigal Son (mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 30998
Un concert du musique
mk70
Toile.
H.1.42
L.1.72
Maisons-Laffitte,Chateau
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 30999
Enee et Anchise
mk70
Toile
H.1.94
L.1.33
Paris,Musee du Louvre
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
SPADA, Lionello
Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
. Related Artists to SPADA, Lionello: | Frederick Mccubbin | William Holyoake | Bingham, George Caleb | MASTER Bertram | Estevao Silva |
|
|
