Porslinet engros- Olja måleriet Engros- Måleriet Porslinet
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| Release from Deception
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| 1752-59 Marble, height 195 cm Santa Maria della Piet?dei Sangro, Naples No instance in Italian sculpture in this period is more extreme than the Sansevero Chapel in Naples, which was transformed into a a sculptural pantheon by Raimondo di Sangro, Prince of Sansevero, in the 1750s. By importing Antonio Corradini from Venice and Francesco Queirolo (1704-1762) from Genoa, the Prince of Sansevero evolved an elaborate programme of monuments and medallions to celebrate generations of his family, each in the light of a guiding virtue. The subjects of the tombs included Sincerity, Religious Zeal and Liberality, but the most remarkable works are Corradini's Modesty and Queirolo's Release from Deception. Paired in the chapel's presbytery, they were conceived as monuments to the patron's mother and father respectively. The Release from Deception shows a man's emergence from the snares of error. It is, in fact, a self-portrait of the sculptor, as he is being helped from a net of cords by his own intellect, shown in the guise of a winged boy; the intellect points at the world, the source of deception, with a sceptre. Artist: QUEIROLO, Francesco Painting Title: Release from Deception , 1701-1750 Painting Style: Italian , sculpture Type: mythological
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| Måleriet Identifieringen :: 63034
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unknow artist
1752-59 Marble, height 195 cm Santa Maria della Piet?dei Sangro, Naples No instance in Italian sculpture in this period is more extreme than the Sansevero Chapel in Naples, which was transformed into a a sculptural pantheon by Raimondo di Sangro, Prince of Sansevero, in the 1750s. By importing Antonio Corradini from Venice and Francesco Queirolo (1704-1762) from Genoa, the Prince of Sansevero evolved an elaborate programme of monuments and medallions to celebrate generations of his family, each in the light of a guiding virtue. The subjects of the tombs included Sincerity, Religious Zeal and Liberality, but the most remarkable works are Corradini's Modesty and Queirolo's Release from Deception. Paired in the chapel's presbytery, they were conceived as monuments to the patron's mother and father respectively. The Release from Deception shows a man's emergence from the snares of error. It is, in fact, a self-portrait of the sculptor, as he is being helped from a net of cords by his own intellect, shown in the guise of a winged boy; the intellect points at the world, the source of deception, with a sceptre. Artist: QUEIROLO, Francesco Painting Title: Release from Deception , 1701-1750 Painting Style: Italian , sculpture Type: mythological
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Related Paintings to unknow artist :.
| Triglavsko pogorje | Lord Castlereagh Pitt-s 28-year-old Protege and acting chief secretary | Saaremaa | Racconti barbari | kvinna med handske | |
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KOMMA I KONTAKT MED Oss
Xiamen Porslinet Engros- Olja Måleriet Sjukbåren Bomma till Engros- Stomme Mögel Spegel Stomme Spännet |
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