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Artist: unknow artist
Release from Deception
ID::. 63034
Size: 20x24 INS

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Release from DeceptionstretcherstretchedFrame ID: Ta026Frame ID: Ta087Frame ID: TA198Frame ID: Ta3070-1Frame ID: ta3071-1Frame ID: ta3078-1Frame ID: ta3081-1Frame ID: Ta3123-3Frame ID: Ta3139-1Frame ID: Ta3142-1Frame ID: Ta001Frame ID: Ta001-2Frame ID: Ta002Frame ID: ta003Frame ID: Ta012Frame ID: Ta016Frame ID: Ta017Frame ID: Ta020Frame ID: Ta021Frame ID: Ta021sFrame ID: Ta034Frame ID: Ta035Frame ID: Ta039Frame ID: Ta043Frame ID: Ta050Frame ID: Ta051Frame ID: Ta068Frame ID: Ta082Frame ID: Ta086Frame ID: ta096Frame ID: Ta112Frame ID: Ta125-4Frame ID: Ta144Frame ID: Ta149-2Frame ID: Ta159Frame ID: TA213Frame ID: ta214Frame ID: ta220


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unknow artist


ID: 63034 Release from Deception 1752-59 Marble, height 195 cm Santa Maria della Piet?dei Sangro, Naples No instance in Italian sculpture in this period is more extreme than the Sansevero Chapel in Naples, which was transformed into a a sculptural pantheon by Raimondo di Sangro, Prince of Sansevero, in the 1750s. By importing Antonio Corradini from Venice and Francesco Queirolo (1704-1762) from Genoa, the Prince of Sansevero evolved an elaborate programme of monuments and medallions to celebrate generations of his family, each in the light of a guiding virtue. The subjects of the tombs included Sincerity, Religious Zeal and Liberality, but the most remarkable works are Corradini's Modesty and Queirolo's Release from Deception. Paired in the chapel's presbytery, they were conceived as monuments to the patron's mother and father respectively. The Release from Deception shows a man's emergence from the snares of error. It is, in fact, a self-portrait of the sculptor, as he is being helped from a net of cords by his own intellect, shown in the guise of a winged boy; the intellect points at the world, the source of deception, with a sceptre. Artist: QUEIROLO, Francesco Painting Title: Release from Deception , 1701-1750 Painting Style: Italian , sculpture Type: mythological









 

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