Carlo Maratta Olja Måleriet Reproducering


All Carlo Maratta Oil Paintings

(13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
 
 
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     
     Carlo Maratta
      (13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. 		 

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Carlo Maratta The Sleep of the Infant Jesus, with Musician Angels oil painting artist
  Måleriet Identifieringen ::   84572
The Sleep of the Infant Jesus, with Musician Angels
Date 1697(1697) Medium Oil on wood Dimensions Height: 120 cm (47.2 in). Width: 98 cm (38.6 in). cjr


 
Carlo Maratta Portrait of Andre Le Notre oil painting artist
  Måleriet Identifieringen ::   87133
Portrait of Andre Le Notre
Date c. 1680(1680) Medium Oil on canvas cjr


 
Carlo Maratta The Sleep of the Infant Jesus oil painting artist
  Måleriet Identifieringen ::   88428
The Sleep of the Infant Jesus
1697(1697) Medium Oil on wood cyf


 
Carlo Maratta Portrait of Andre Le Notre oil painting artist
  Måleriet Identifieringen ::   91816
Portrait of Andre Le Notre
. 1680(1680) Medium oil on canvas cyf


 
 
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     
     Carlo Maratta
     (13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.

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