Carlo Maratta El petróleo que Pinta la Reproducción


All Carlo Maratta Oil Paintings

(13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
 

 
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     Carlo Maratta
      (13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
 

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Carlo Maratta The Sleep of the Infant Jesus, with Musician Angels oil painting artist
  Pintura identificación::   84572
The Sleep of the Infant Jesus, with Musician Angels
Date 1697(1697) Medium Oil on wood Dimensions Height: 120 cm (47.2 in). Width: 98 cm (38.6 in). cjr


 

Carlo Maratta Portrait of Andre Le Notre oil painting artist
  Pintura identificación::   87133
Portrait of Andre Le Notre
Date c. 1680(1680) Medium Oil on canvas cjr


 

Carlo Maratta The Sleep of the Infant Jesus oil painting artist
  Pintura identificación::   88428
The Sleep of the Infant Jesus
1697(1697) Medium Oil on wood cyf


 

Carlo Maratta Portrait of Andre Le Notre oil painting artist
  Pintura identificación::   91816
Portrait of Andre Le Notre
. 1680(1680) Medium oil on canvas cyf


 

 
ARTISTA PREVIO       PROXIMO ARTISTA     

     Carlo Maratta
     (13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.

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