el petróleo al por mayor que pinta marco que moldea el espejo


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  Francesco Granacci Francesco Granacci
1477-1543 Italian Francesco Granacci Galleries
 Alajos Gyorgyi  Giergl Alajos Gyorgyi Giergl
1821-1863 Hungarian Alajos Gyorgyi Giergl Gallery
 Anton  Graff Anton Graff
1736-1813 Swiss Anton Graff Gallery
 Baron Francois  Gerard Baron Francois Gerard
1770-1837 French Baron Francois Gerard Galleries
 Eva  Gonzalez Eva Gonzalez
1849-1883 French
 Garofalo Garofalo
1481-1559 Italian Garofalo Gallery
 George  Gower George Gower
1540-1596 English George Gower Gallery
 Gian  Battista Viola Gian Battista Viola
Italian Baroque Era Painter, 1576-1622
 Giottino Giottino
1325-1370 Italian Giottino Gallery
 Giovanni   Giacometti Giovanni Giacometti
1868-1933 Swiss Giovanni Giacometti Galleries
 Giovanni Francesco  Guercino Giovanni Francesco Guercino
1591-1666 Italian Giovanni Francesco Guercino Galleries
 Harold  Gilman Harold Gilman
British 1878-1919 Harold Gilman Gallery
 Henry de  Groux Henry de Groux
Belgian 1867-1930
 Jean-Germain  Drouais Jean-Germain Drouais
1763-1788 French Jean Germain Drouais Locations
 Jules-Adolphe Goupil Jules-Adolphe Goupil
1839-1883 French Jules-Adolphe Goupil Gallery
 Luca  Giordano Luca Giordano
1632-1705 Italian Luca Giordano Gallery
Marcus Gheeraerts
1561-1636 Flemish Marcus Gheeraerts Gallery
 Matthias  Grunewald Matthias Grunewald
German 1475-1528 Matthias Grunewald Galleries
 Norbert  Goeneutte Norbert Goeneutte
1854-1894 French
 Pieter de  Grebber Pieter de Grebber
1600-1653 Dutch Pieter de Grebber Gallery
 Theodore   Gericault Theodore Gericault
French Romantic Painter, 1791-1824
 Vicente Palmaroli  Gonzalez Vicente Palmaroli Gonzalez
1834-1896 Spanish Vicente Palmaroli Gonzalez Gallery
Virgilio Guidi
1891-1928 Virgilio Guidi Gallery
Aaron Harry Gorson Aaron Harry Gorson
1872-1933
Abel Grimmer Abel Grimmer
Flemish Baroque Era Painter, ca.1570-C.1619
Abraham Govaerts Abraham Govaerts
Abraham Govaerts (Antwerp, 1589 - 9 September 1626) was a Flemish Baroque painter who specialized in small cabinet-sized forest landscapes in the manner of Jan Brueghel the Elder and Gillis van Coninxloo.[1] He became a master in Antwerp's guild of St. Luke in 1607-1608, and subsequently trained several other painters in including Alexander Keirincx. Govaerts' paintings, such as A Forest View with the Sacrifice of Isaac (Alte Pinakothek, Munich), typically show diminutive history, mythological or biblical subjects within a Mannerist three-color universal landscape bracketed by repoussoir trees. The figures were often added by other artists, especially by members of the Francken family.
Adria Gual-Queralt Adria Gual-Queralt
1872-1944
Adriaen de Gryef Adriaen de Gryef
Belgium (1670-1715 ) - Painter
Aert de Gelder Aert de Gelder
Dutch 1645-1727
Agnes Goodsir Agnes Goodsir
(18 June 1864, Portland, Victoria - 1939, France) was an Australian portrait painter who moved within lesbian circles in Paris in the 1920s and 1930s. Goodsir was one of eleven children born to David James Cook Goodsir, Commissioner of Customs at Melbourne, and Elizabeth Archer. Her early art training started with Arthur T. Woodward at the Bendigo School of Mines in the 1890s, and in 1899 some of her work was raffled in Bendigo to partly finance her study in Paris. The years following World War I saw a virtual exodus of Australian artists on a sort of Grand Tour to Paris, all intent on being part of the explosion of the arts taking place there. Painters like Rupert Bunny, Stella Bowen and Max Meldrum were drawn there by the appeal of the Left Bank. Others like Margaret Preston and Grace Crowley were inspired to develop in new directions by post-war Parisian art. Goodsir attended the Academie Delecluse, the Academie Julian and then the Academie Colarossi. From about 1912 she shuttled between London and Paris, but finally settled in Paris at 18 Rue de l'Odeon. Her constant companion was Rachel Dunn, depicted in several of her paintings, such as The Chinese Skirt 1933, Girl with Cigarette 1925, The Letter 1926 and Morning Tea 1925. Her work was acclaimed and exhibited at the New Salon, the Salon des Independants, and the Societe Nationale des Beaux Arts in Paris as well as at the Royal Academy and the Royal Institute in London. On a short visit to Australia in 1927 she exhibited at the Macquarie Galleries in Sydney and the Fine Arts Gallery in Melbourne. In 1938 four of her oils were shown at the sesquicentennial exhibition at the NSW National Art Gallery. On her death in 1939, her paintings were left to her companion Rachel Dunn, who sent some 40 to Agnes's family in Australia and others to Australian galleries.
Agnolo  Gaddi Agnolo Gaddi
Italian Early Renaissance Painter, ca.1345-1396
Agnolo Gaddi Agnolo Gaddi
Italian Early Renaissance Painter, ca.1345-1396
Agustin Riancho Y Gomez De Porras Agustin Riancho Y Gomez De Porras
Spanish , Entrambasmestas, Cantabria 1841 - Ontaneda, Cantabria 1929.
Akseli Gallen-Kallela Akseli Gallen-Kallela
April 26, 1865 ?C March 7, 1931)
Albert Gallatin Hoit Albert Gallatin Hoit
Albert Gallatin Hoit (December 13, 1809 - December 18, 1856) was an American painter who lived in Boston, Massachusetts. He painted portraits of William Henry Harrison, Daniel Webster and Brenton Halliburton. Hoit was born in Sandwich, New Hampshire, December 13, 1809, to Gen. Daniel Hoit and Sally Flanders. Siblings included William Henry Hoit. Hoit graduated from Dartmouth College in 1829. He married Susan Hanson in 1838; children included Anna M. Hoit. Hoit "devoted his life to portrait painting, first at Portland, Maine, in 1831, and then in Bangor and Belfast, Maine, and St. John's, N.B. until Boston, Mass., became his permanent home in 1839." He also travelled in Europe, "Oct. 1842 to July 1844, ... enjoying the galleries of art in Italy, Paris, and London." He created portraits of Pietro Bachi, Johanna Robinson Hazen, J. Eames, and others. He painted a portrait of Daniel Webster "for Paran Stevens, which hung for years in the Revere House, Boston, and now belongs to the Union League Club, New York." He was affiliated with the Boston Artists' Association; and exhibited at the gallery of the New England Art Union in the 1850s. In 1848, he kept a studio on Tremont Row in Boston, and lived in Roxbury. By 1852, he'd moved his studio to Washington Street. Hoit died in Jamaica Plain, December 18, 1856, at age 47.
Albert Goodwin,RWS Albert Goodwin,RWS
1845-1932
Albert Gottschalk Albert Gottschalk
(3 July 1866 - 13 February 1906) was a Danish painter. He had a close connection, personally and artisticly, to the poets Johannes Jørgensen, Viggo Stuckenberg and Sophus Claussen. Albert Gottschalk was born in Stege on the island of Møn. but later moved to Copenhagen. He was educated at the Royal Danish Academy of Fine Arts from 1882 to 1883 and under Peder Severin Krøyer at the Artists Studio Schools from hos from 1883 to 1888. He also studied privately with Karl Jensen and Karl Madsen. Gottschalk was inspired by the Danish painter P.S. Krøyer as well as French art. Gottschalk was ambitious, technically skilled, and he worked a long time with his motifs in his mind before painting them. He searched for his motifs in Denmark on his bicycle, and he found them often around Copenhagen. The paintings often look like they are quickly made sketches which was not recognised in Gottschalkes time. But today people find his works fresher and more timeless than art from that time normally is.
Aleksander Gierymski Aleksander Gierymski
Warsaw 1850-1901 Rome
Alexander Yakovlevich GOLOVIN Alexander Yakovlevich GOLOVIN
an important Russian artist and stage designer who designed sets for many productions by Sergei Diaghilev,1863-1930
Alexandre Gabriel Decamps Alexandre Gabriel Decamps
French Romantic Painter, 1803-1860. Studied under Abel de Pujol. Specializes in Orientalism.
Alexandre-Gabriel Decamps Alexandre-Gabriel Decamps
(March 3, 1803 - August 22, 1860) was a French painter. He was born in Paris. In his youth he travelled in the East, and reproduced Oriental life and scenery with a bold fidelity to nature that puzzled conventional critics. His powers, however, soon came to be recognized, and he was ranked along with Delacroix and Vernet as one of the leaders of the French school. At the Paris Exhibition of 1855 he received the grand or council medal. Most of his life was passed in the neighborhood of Paris. He was fond of animals, especially dogs, and indulged in all kinds of field sports. He died in 1860 in consequence of being thrown from a horse while hunting at Fontainebleau. Decamps' style was characteristically and intensely French. It was marked by vivid dramatic conception, bold and even rough brushstrokes, and startling contrasts of color and of light and shade. His subjects embraced an unusually wide range. He availed himself of his travels in the East in dealing with scenes from Scripture history, which he was probably the first of European painters to represent with their true and natural local background. Of this class were his Joseph sold by his Brethren, Moses taken from the Nile, and his scenes from the life of Samson, nine vigorous sketches in charcoal and white. Perhaps the most impressive of his historical pictures is Defeat of the Cimbri, representing the conflict between a horde of barbarians and a disciplined army. Decamps produced a number of genre pictures, chiefly scenes from French and Algerian domestic life, the most marked feature of which is humour. The same characteristic attaches to many of his numerous animal paintings; Decamps was especially fond of painting monkeys. His well-known painting The Monkey Connoisseurs satirizes the jury of the French Academy of Painting, which had rejected several of his earlier works on account of their divergence from any known standard.
Alexey Gavrilovich Venetsianov Alexey Gavrilovich Venetsianov
painted Morning of the land-lady in 1823
Alfred Guillou Alfred Guillou
French Academic Painter, 1844-1926
Ali of Golconda Ali of Golconda
the period of 1465-1535
Ambroise-Louis Garneray Ambroise-Louis Garneray
(19 February 1783 - 11 September 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held prisoner by the British for eight years. Garneray was born in Paris (on Rue Saint-Andre-des-arts, in the Latin Quarter) on 19 February 1783. He was the elder son of Jean-François Garneray (1755-1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte ("the Stout one"). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged. Garneray took part in the various campaigns of Sercey division and witnessed the hardship it met in the battle against Arrogant and Victorious. He then served in 1798 on the corvette Brûle Gueule ("Mouth burner"), which patrolled with the frigate Preneuse ("the Taker"). Returning from this campaign, the Brûle Gueule and Preneuse were chased by a British squadron comprising two ships of the line, one frigate and one corvette; the French flew into a creek near Black River whose shallow waters prevented the British from pursuing. The next day, the British squadron attacked; the French had established strong defensive positions by installing the unusable batteries of their ships ashore, and repelled the British squadron. In 1799, Garneray was promoted to quartermaster and "first painter of the edge" on the Preneuse under captain Jean-Marthe-Adrien l'Hermite. The frigate was the last French official force in the Indian Ocean. This patrol went into trouble, in spite of an exceptional combat against the British ship of the line the Jupiter. Returning to Mauritius, her crew suffered from scurvy, and the Preneuse had to be kept quarantined and had to return to the British forces making the blockade of the island. Garneray escaped captivity by regaining the coast with the stroke. In spite of the disaster, Garneray kept longstanding admiration and friendship for to Lhermitte, whom he would continue to visit until his death 1826. Garneray: Capture of Kent by SurcoufFor lack of official ships, Garneray joined the Confiance ("the Trust") of Robert Surcouf as an ensign, from April at December 1800. He took part in the capturing and boarding the Kent in October 1800. It was the only time where Garneray made money as a sailor. Upon returning from patrol, he invested his share in a slave trading ship, l'Union, on which he was a first mate. He sailed on various trading ships during the peace of Amiens, after which he served aboard the Pinson ("the Finch"), a cutter based in Île Bourbon. He replaced the commander when he died, and was shipwrecked shortly thereafter. He then served on the corsair Tigre du Bengale and eventually on the frigate Atalante attached to the squadron of Linois. He later served on the Belle Poule ("beautiful chick"), and was aboard when she was captured by the British in March 1806. Wounded, Garneray was led in England and spent the eight following years on prison hulks off Portsmouth (on the Protee, the Couronne ("Crown") and the Vengeance. He was able to improve his standard of living by selling paintings to a British merchant. A statement attributed to him goes: "But for piracy, I believe that I practiced about all kinds of navigation".

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China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas
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