All GUERCINO Oil Paintings
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GUERCINO assumption of the Virgin oil painting


assumption of the Virgin
Painting ID::  71349 		Artist: GUERCINO
Painting: assumption of the Virgin
Introduction: o/c, 116,6 x 92,2 cm, Ackland Art Museum
   
   
     

 

 

 
 

 

 

 
GUERCINO Jacob, Ephraim, and Manasseh, painting by Guercino oil painting


Jacob, Ephraim, and Manasseh, painting by Guercino
Painting ID::  73293 		Artist: GUERCINO
Painting: Jacob, Ephraim, and Manasseh, painting by Guercino
Introduction: Jacob, Ephraim, and Manasseh, painting by Guercino cjr
   
   
     

 

 

 
 

 

 

 
GUERCINO Return of the Prodigal Son oil painting


Return of the Prodigal Son
Painting ID::  74233 		Artist: GUERCINO
Painting: Return of the Prodigal Son
Introduction: Date 1619 Medium Oil on canvas Dimensions Deutsch: 107 x 143,5 cm Rahmenmaße: 129 x 166 x 11 cm cyf
   
   
     

 

 

 
 

 

 

 
GUERCINO Personification of Astrology oil painting


Personification of Astrology
Painting ID::  78122 		Artist: GUERCINO
Painting: Personification of Astrology
Introduction: circa 1650-1655 Oil on canvas 80.6 cm x 65.4 cm cjr
   
   
     

 

 

 
 

 

 

 
GUERCINO Mary Magdalene oil painting


Mary Magdalene
Painting ID::  79190 		Artist: GUERCINO
Painting: Mary Magdalene
Introduction: circa 1624-1625 Medium Oil on canvas cyf
   
   
     

 

 

 
 

 

 

 
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     Check All GUERCINO's Paintings Here!
     Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657. . Related Artists to GUERCINO : | Hendrick ter Brugghen | Paolo di Dono called Uccello | Carl Haag | IL Pensionante del saraceni | BLEKER, Gerrit Claesz |

 

 

 
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