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 baron grimm
 German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
 

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baron grimm Orfeo ed Euridice oil painting on canvas

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Orfeo ed Euridice
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
Pintura identificación::  60253




baron grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.

Related Paintings to baron grimm :.
| brevskrivning-korrespondens | el espolio | Portrait of Louisa Maria Stuart | Costume Study of a Seated Woman: The Artist's Sister Emilie | Self-portrait in straw hat |


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