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Lorens Pasch the Younger Lorens Pasch the Younger
(1733-1805) was a Swedish painter He grew up in an artistic family (he was the brother of Ulrika Pasch, alongside whom he was elected to the Art Academy in 1773), but his father Lorens Pasch the Elder wanted him to become a priest. He was thus sent to study in Uppsala aged 10. However, he decided on an artistic career after all and began an apprenticeship in his father's studio before going to Copenhagen, with introductions from his wealthy and influential uncle Johan Pasch. There he studied painting for three years in the studio of Carl Gustaf Pilo. Despite good offers of studio-apprenticeships and commissions from Sweden, he then set off for Paris in 1758 to complete his artistic education. There he specialised in history painting in the studios of Eustache Le Sueur and François Boucher (though for financial reasons he also continued his training in portraiture) and became friends with fellow-Swede Alexander Roslin. In 1764 he left Paris and got back to Sweden in 1766. He fully completed his training in the studio of the French painter Guillaume Taraval, who in 1735 founded the Royal Swedish Academy of Arts in Stockholm. Soon after his arrival back in Sweden Pasch's gained a great reputation as a portraitist, gaining favour and commissions from the royal court and gaining the esteem of Adolf Frederick, King of Sweden and his queen Louisa Ulrika - one of his most notable works is his Portrait of Louisa Ulrika of Prussia. He served as a professor at the Academy of Arts from 1773 to his death, becoming its director on Pilo's death in 1793. At the end of his life he concentrated more on training young artists and managing the Academy than on painting. He died unmarried in 1805 and due to his powerful portraits remains one of the most respected painters of the Gustavian era in Sweden.
Lorenzo Tiepolo Lorenzo Tiepolo
Venice 1736 -C Madrid 1776
Louis Comfort Tiffany Louis Comfort Tiffany
American Art Nouveau Stained Glass Artist, 1848-1933
Louis Gallait Louis Gallait
(9 or 10 May 1810 - 20 November 1887) was a Belgian painter. His d his reputation especially with the large painting of Charles V's abdication. Gallait's works were considered as the basis for a desirable renewal of historical paintings because of the realism, costume faithfulness and colorful posture of his paintings. His last artwork was sent on tour in Germany and that led to new signals even among German historians. He was also a distinguished portrait painter. Gallait died in Brussels in 1887. There is a painting by Louis Gallait at the Norton Art Museum in West Palm Beach, Florida ("Art and Liberty").
Louis Rolland Trinquesse Louis Rolland Trinquesse
(c.1746-1800) was a French painter.
Louis Tocque Louis Tocque
Paris 1696-1772
Luca di Tomme Luca di Tomme
Italian Painter, ca.1330-1390
Lucas Cranach the Elder Lucas Cranach the Elder
b. 1472, Kronach, d. 1553, Weimar
Lucas Cranach the Younger Lucas Cranach the Younger
(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.
Ludger tom Ring Ludger tom Ring
German Painter, 1522-1584
Ludger tom Ring the Younger Ludger tom Ring the Younger
(1522-1584) was a German painter and draughtsman. Ring was born in Menster. His father and brothers were also painters. Ring primarily painted portraits and still lifes. He died in Braunschweig in 1584.
Luis Tristan Luis Tristan
Toledo ca ,1585-1624
Marcus Gheeraertz the Younger Marcus Gheeraertz the Younger
painted Robert Devereaux, Earl of Essex in 1596
Marie Caire Tonoir Marie Caire Tonoir
Naturalist artist France 1860-1934
Marshall, Thomas Falcon Marshall, Thomas Falcon
English, 1818-1878
Master of The Castello Nativity Master of The Castello Nativity
Florence ca 1450-ca 1475
master of the Holy Kindred master of the Holy Kindred
active in Cologne 1470/80-1515
Master of the Legend of St. Lucy Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
Master of the Manna Master of the Manna
French Early Renaissance, 15th Century
Master of the observanza Triptych Master of the observanza Triptych
active in Siena after 1425
Master Of The Parrot Master Of The Parrot
painted Mary Magdalen in between 1525(1525) and 1550(1550)
MASTER of the Pfullendorf Altar MASTER of the Pfullendorf Altar
German Northern Renaissance Painter, 15th Century
Master of the Prelate Mur Master of the Prelate Mur
painted The Adoration of the Magi in 15th century
Master of the Saint Lucy Legend Master of the Saint Lucy Legend
Netherlandish Northern Renaissance Painter, 15th Century
Master of the Saint Ursula Legend Master of the Saint Ursula Legend
Flemish Northern Renaissance Painter, active 1475-1500
Master of the Schotten Altarpiece Master of the Schotten Altarpiece
was a German painter, active in Nuremberg during the 14th and 15th centuries. His name is derived from an altarpiece dated to about 1390, which once stood in the church of St. Mary in Schotten. The altarpiece was dismantled in 1828.
Master of the Vienna Lamentation Master of the Vienna Lamentation
painted Left wing of an altarpiece with the Circumcision and the Virgin of an Annunciation in c. 1515-1525
Master of the View of Sainte Gudule Master of the View of Sainte Gudule
Netherlandish Northern Renaissance Painter, active ca.1485
MASTER THOMAS de Coloswar MASTER THOMAS de Coloswar
first half of 15th century
Mattheus Terwesten Mattheus Terwesten
Mattheus Terwesten (1670-1757) was a Dutch painter of portraits, architectural, and historical themes. He was court painter to Frederick William I of Prussia and professor of the art academy in Berlin. Mattheus Terwesten studied with his brother Augustinus Terwesten, Willem Doudyns, and Daniel Mijtens the Younger. In 1695 he traveled via Berlin to Rome, where he stayed until 1699. In Rome he became a member of the painters' circle known as the Bentvueghels, where he earned the nickname "Arend", or eagle. In 1710 he joined his older brother Augustinus and younger brother Ezaias, and when Augustinus died in 1711, he succeeded him as court painter in Berlin, while Ezaias went to Italy, where he married and settled permanently. His pupils were Herman Diederik Cuipers, Pieter van Cuyck (I), Jan van Gool, Johan Graham, Hendrik van Hulst, Jacob van Nachenius, Andries Storck, and his two sons Augustinus (II) and Pieter Terwesten.
Mattieni, Teodoro Mattieni, Teodoro
Italian, 1754-1831
Michau, Theobald Michau, Theobald
Flemish Painter, 1676-1765
Mitchell, Thomas Mitchell, Thomas
English, 1735-90
Moran, Thomas Moran, Thomas
American Hudson River School Painter, 1837-1926
Nicolae Tonitza Nicolae Tonitza
(Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art. Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church. In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".
Nicolas Tournier Nicolas Tournier
(baptised 12 July 1590 - d. before February 1639) was a French Baroque painter. Born in Montbeliard, he followed the profession of his father, Andre Tournier, "a Protestant painter from Besançon". Little is known of his life before his arrival in Rome, where he worked between 1619 and 1626, and where he was influenced by the work of Caravaggio. According to one early source, he was a pupil of Valentin de Boulogne.Tournier's Roman paintings are stylistically close to the works of Bartolomeo Manfredi. He painted both secular and religious subjects; an example of the latter is The Crucifixion with St. Vincent de Paul (Paris, The Louvre). After 1626 Tournier was active in southern France. He died in Toulouse. His work The Carrying of the Cross, painted around 1632, originally hung in the Toulouse chapel of the Company of the Black Penitents. During the French Revolution it was confiscated by the state and moved to a museum, from where it was stolen in 1818. After being lost for nearly two centuries, it reappeared in 2009 during an art collector's estate sale in Florence; when the Weiss Gallery of London purchased it in a Paris auction in 2011, the French government classified it as stolen property and banned it from leaving the country.
Nicolas-Antoine Taunay Nicolas-Antoine Taunay
painted Le Theatre de la Folie in 1805(1805) until 1810
Noble, Thomas Satterwhite Noble, Thomas Satterwhite
American, 1835-1907
Octave Tassaert Octave Tassaert
Paris 1800-1874
Oscar Torna Oscar Torna
Swedish, 1842-1894
Otter, Thomas Otter, Thomas
American, 1832-90
Paul Troger Paul Troger
Austrian Painter, 1698-1762
Per Krafft the Elder Per Krafft the Elder
(16 January 1724, Arboga - 7 November 1793, Stockholm) was a Swedish portraitist. He was the father of the artists Per Krafft the Younger and Wilhelmina Krafft.
Percy tarrant Percy tarrant
fl.1883-1904
Peter Tillemans Peter Tillemans
Flemish Painter, ca.1684-1734
Phoebe Traquair Phoebe Traquair
The leading artist the Arts and Crafts movement in Edinburgh at the turn of the century , (1852-1936)
Pierre etienne theodore rousseau Pierre etienne theodore rousseau
Paris 1812-Barbizon 1867
Pieter Bruegel the Elder Pieter Bruegel the Elder
(Dutch pronunciation:c. 1525 - 9 September 1569) was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes (Genre Painting). He is sometimes referred to as "Peasant Bruegel" to distinguish him from other members of the Brueghel dynasty, but is also the one generally meant when the context does not make clear which "Bruegel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel. There are records that he was born in Breda, Netherlands, but it is uncertain whether the Dutch town of Breda or the Belgian town of Bree, called Breda in Latin, is meant. He was an apprentice of Pieter Coecke van Aelst, whose daughter Mayken he later married. He spent some time in France and Italy, and then went to Antwerp, where in 1551 he was accepted as a master in the painter's guild. He traveled to Italy soon after, and then returned to Antwerp before settling in Brussels permanently 10 years later. He received the nickname 'Peasant Bruegel' or 'Bruegel the Peasant' for his alleged practice of dressing up like a peasant in order to mingle at weddings and other celebrations, thereby gaining inspiration and authentic details for his genre paintings. He died in Brussels on 9 September 1569 and was buried in the Kapellekerk. He was the father of Pieter Brueghel the Younger and Jan Brueghel the Elder. Both became painters, but as they were very young children when their father died, it is believed neither received any training from him.

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