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Eouard Manet
He was a French painter. One of the first 19th-century artists to approach modern and postmodern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism. His early masterworks, The Luncheon on the Grass (Le dejeuner sur l'herbe) and Olympia, engendered great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the genesis of modern art.
Ernest Meissonier Ernest Meissonier
Lyons 1815 - Paris 1891. French Academic Painter, 1815-1891.
Ernst Meisel Ernst Meisel
painted Gretchen beim Kirchgang in 1894
Etienne Moreau-Nelaton Etienne Moreau-Nelaton
Adolphe Etienne Auguste Moreau-Nelaton (2 December 1859, Paris- 25 April 1927, Paris) was a French painter, art collector and art historian. His large collection is today held in its entirety by National French museums. Moreau-Nelaton's family's art collecting began with his grandfather Adolphe Moreau (1800-59). As a stockbroker he possessed ample capital with which to buy the work of artists with whom he was personally acquainted, including Eugene Delacroix and Alexandre-Gabriel Decamps. Moreau-Nelaton's father, who was also named Adolphe Moureau (1827-82), was a high government official and led the railroad company Chemins de fer de l'Est. In 1856 he married the ceramic artist Camille Nelaton (1840-97), with whom he further expanded the family's collection.
Eugeen Van Mieghem Eugeen Van Mieghem
(1 October 1875-1930) was a Belgian artist born in the port of Antwerp. As a boy Van Mieghem was confronted with the harsh reality of life at the waterfront. Even at primary school he showed a talent for drawing. He was introduced to the work of Vincent van Gogh, Georges Seurat, Camille Pissarro, Henri de Toulouse-Lautrec and others at an exhibition organised by Flemish painter and architect Henry van de Velde at the Antwerp Academy around 1892. He attended the Antwerp Academy but was sent from school because his conservative teachers disliked his subject matter and his free, spontaneous way with it. He threw his lot in with progressive political and cultural movements, and joined an anarchist group. By the early 1900s was recognized as one of the most promising young artists of the Antwerp school. He would never renounce his idealism. He became the artist of the typical harbour folk: sack porters, sack makers, emigrants, dockers, bargees, and tramps. Van Mieghem had his first taste of real success at La Libre Esthetique in Brussels, where his pastels and drawings hung alongside works by French impressionists such as Claude Monet, Paul Cezanne, Camille Pissarro, Jean Renoir and Edouard Vuillard.
Evelyn De Morgan Evelyn De Morgan
1855-1919 British Evelyn De Morgan Galleries
F.Sydney muschamp
fl.1870-1903,d.1929
Federico de Madrazo y Kuntz Federico de Madrazo y Kuntz
1815-1894 Spanish Federico de Madrazo y Kuntz Gallery
Federico Maldarelli Federico Maldarelli
Federico Maldarelli (1826 - 1893)
Felix Maria Diogg Felix Maria Diogg
(b Andermatt, 1 July 1762; d Rapperswil, Schwyz, 19 Feb 1834). Swiss painter. From 1782 he was a pupil of Johann Melchior Wyrsch in Besanion, under whom he developed the essential aspects of his portrait style. He also studied further in Rome and Naples from 1786 to 1788. He was capable of executing bright, incisive portraits in the manner of Angelica Kauffman, as in Portrait of an Artist or psychological studies, best seen in Ulysses von Salis-Marschlins. Several of his group portraits, such as the Esslinger Family, show the influence of Italian and British painting, with which he seemed to be familiar. He was a friend of Johann Kaspar Lavater, discoursed with Goethe and enjoyed the company of the Swiss historian Johannes von Miller (1752-1809), whose portrait he painted. His portraits are generally bust-length types set against a solid, dark background. This format was favoured by his Swiss clientele and is seen in Burgomaster Heinrich Krauer (1799; Lucerne, Kstmus.), which also reveals the dignified wooden pose frequently selected by his models. His direct, fashionable treatment of the sitter attracted a wide range of clients from all levels of society. He seemed to be as much at ease painting the Empress of Russia, Yelisaveta Alekseyevna (1814; Karlsruhe, Staatl. Ksthalle) as he was portraying the bourgeoisie of central Switzerland.
felix mendelssohn felix mendelssohn
Period: Romantic (1820-1869) Country: Germany Born: February 03, 1809 in Hamburg, Germany Died: November 04, 1847 in Leipzig, Germany
Ferdinand Max Bredt Ferdinand Max Bredt
painted In a courtyard, Tunis in 1921
Filip Andreevich Malyavin Filip Andreevich Malyavin
Russian, 1869-1940
Firmin Massot Firmin Massot
painted Portrait of a lady, wearing a white dress and seated beside a harp a landscape beyond in 1810
Ford Madox Brown Ford Madox Brown
1821-1893
Francesco de mura Francesco de mura
Naples 1696-1782
Francesco di Giorgio Martini Francesco di Giorgio Martini
Italian Early Renaissance Painter and Sculptor, 1439-ca.1501
Francesco Maria Raineri Francesco Maria Raineri
(February 2, 1676 - February 28, 1758) was an Italian painter of the late-Baroque, mainly active in Mantua. Also called Lo Schivenoglia after the town, just outside of the city of Mantua, of his birth. He was a pupil of Giovanni Canti. Among his works, he was known for his paintings of battle scenes, landscapes, and cappriccios (vedute of imaginary scenes) with historical or mythologic figures. He was named director of the Academy of painters in Mantua in 1752. He is known to have painted a St. Sebastian for the chapel of Santa Anna.
Francesco Marmitta Francesco Marmitta
recorded at Parma 1496-1504
Francesco Monti Francesco Monti
Italian Painter, 1685-1768
Francesco Morandini Da Poppi Francesco Morandini Da Poppi
Italian Painter (1544-1597)
Francesco Morone Francesco Morone
Italian Painter, 1471-ca.1529
Francis Davis Millet Francis Davis Millet
(November 3, 1846 - April 15, 1912) was an American painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912. Francis Davis Millet was born in Mattapoisett, Massachusetts. At age sixteen, Millet entered the Massachusetts regiment, first as a drummer boy and then a surgical assistant in the American Civil War. He repeatedly pointed to his experience working for his father as giving him an appreciation for the vivid blood red that he repeatedly used in his early paintings.
Francis Luis Mora Francis Luis Mora
Uruguayan-born American Painter, 1874-1940
Francisco Domingo Marques Francisco Domingo Marques
painted Cat in 1842 - 1920
Francisco Miralles Y Galup Francisco Miralles Y Galup
Spanish 1848-1901
Francois-Marius Granet Francois-Marius Granet
1775-1849 French Francois Marius Granet Gallery
Francois-Rene Moreaux Francois-Rene Moreaux
painted Announcement of Independence in 1844
Frank Blackwell Mayer Frank Blackwell Mayer
American Painter, 1827-1899
Frank Mahony Frank Mahony
(4 December 1862 - 28 June 1916) was an Australian artist and member of the Dawn and Dusk Club. Although christened "Francis Mahony", he later added 'Prout' and usually signed his work 'Frank P. Mahony'. Mahony was born in Melbourne, third surviving child of Timothy Mahony, an Irish-born contractor, and his Cornish second wife Elizabeth, Johns. Mahony was taken to Sydney when 10 years old and studied at the Academy of Art under Giulio Anivitti.Mahony's work was accepted by The Bulletin and he became known for his excellent drawings of horses. In 1889 his oil painting Rounding up a Straggler, was bought for the Art Gallery of New South Wales; in 1896 The Cry of the Mothers was also purchased.Mahony did a lot of illustrative work for the Picturesque Atlas of Australia, Victoria and its Metropolis, the Antipodean and other magazines of the period, and was also responsible for some of the illustrations to Barcroft Boake's Where the Dead Men Lie.
Frank O-Meara Frank O-Meara
1853-1888
Frans de Momper Frans de Momper
Flemish Baroque Era Painter, 1603-1660
Frans Jansz van Mierisi Frans Jansz van Mierisi
1635-1681 Dutch Frans Jansz van Mierisi Gallery
Frans Mortelmans Frans Mortelmans
painted Still life with pineapple, grapes, apples and pomegranates in c. 1882
Frans van Mieris Frans van Mieris
Dutch Baroque Era Painter, 1635-1681
Frans van mieris the elder Frans van mieris the elder
Dutch Baroque Era Painter, 1635-1681
Franz Anton Maulbertsch Franz Anton Maulbertsch
(June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region. Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750. An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn. He also painted a portrait of Narcissus of Jerusalem
Franz Marc Franz Marc
1880-1916 German Franz Marc Locations
Fred Morgan Fred Morgan
British 1856-1927
Frederick Mackenzie Frederick Mackenzie
watercolour painter and architectural draughtsman , ca.1787-1854
Frederick Macmonnies Frederick Macmonnies
American Sculpture 1863-1937
Frederick Mccubbin Frederick Mccubbin
Australian Painter, 1855-1917
Frederick Morgan Frederick Morgan
English Painter 1856-1927
Frederik de Moucheron Frederik de Moucheron
(1633-2 January 1686) was a Dutch Golden Age landscape painter. Frederik de Moucheron was the son of the painter Balthazar de Moucheron and Cornelia van Brouckhoven. His father came from a wealthy family of wine traders and is portrayed as one of the younger sons in the Moucheron Family portrait, 1563. Frederik trained with Jan Asselijn and became a landscape painter. He set off at age 22 for Paris, where he spent 3 years and then after a tour of Antwerp, Paris. and Lyon, he settled in 1659 in Amsterdam. In the same year he married Mariecke de Jouderville there and they had 11 children. He is buried in Amsterdam. He painted French, Italian, and Dutch landscapes. To finish these scenes, contemporaries specialized in painting figures collaborated with him, such as Adriaen van de Velde in Amsterdam, Theodor Helmbreker in Paris, and at times Johannes Lingelbach, and Nicolaes Pieterszoon Berchem.
Friedrich Eduard Meyerheim Friedrich Eduard Meyerheim
painted Die Kegelgesellschaft in 1834
Gabrie Metsu Gabrie Metsu
Gabriël Metsu (January 1629 - buried 24 October 1667) was a Dutch painter of history paintings, genre works and portraits. Metsu was the son of the Flemish painter Jacques Metsu (c.1588-1629), who lived most of his days at Leiden, and Jacomijntje Garniers, his third wife, whom he married in 1625. Jacomijntje was the widow of a painter with three children of her own. Two months after Gabriël's birth, his father died. According to Jacobus Houbraken, Metsu was taught by Gerard Dou, though his early works do not lend colour to this assertion. He was influenced by painters of Leiden such as Jan Steen, and later by Frans van Mieris the Elder. Metsu was registered among the first members of the painters' corporation at Leiden; and the books of the guild also tell us that he remained a member in 1649. In Leiden, it was alleged that Metsu left a brothel at six in the morning and took a prostitute to the Academy. In 1650 he ceased to subscribe, and works bearing his name and the date of 1653 support the belief that he had moved. Metsu was trained in Utrecht by Jan Baptist Weenix and Nicolaus Knepfer. The alley on Prinsengracht In Amsterdam Metsu lived in an alley on Prinsengracht, where he kept chickens. He got into an argument with a neighbor and moved to a house on the canal side, where a daily vegetable market was held. In 1658 he married Isabella de Wolff, whose father was a potter and mother a painter. The Speed Art Museum has a portrait of the couple. Pieter de Grebber, a religious painter from Haarlem, was her uncle.
Gabriel Metsu Gabriel Metsu
1629-1667 Dutch Gabriel Metsu Galleries
Gabriel Metsu Gabriel Metsu
Gabriël Metsu Gabriël Metsu (January 1629 - buried 24 October 1667) was a Dutch painter of history paintings, genre works and portraits. Metsu was the son of the Flemish painter Jacques Metsu (c.1588-1629), who lived most of his days at Leiden, and Jacomijntje Garniers, his third wife, whom he married in 1625. Jacomijntje was the widow of a painter with three children of her own. Two months after Gabriël's birth, his father died. According to Jacobus Houbraken, Metsu was taught by Gerard Dou, though his early works do not lend colour to this assertion. He was influenced by painters of Leiden such as Jan Steen, and later by Frans van Mieris the Elder. Metsu was registered among the first members of the painters' corporation at Leiden; and the books of the guild also tell us that he remained a member in 1649. In Leiden, it was alleged that Metsu left a brothel at six in the morning and took a prostitute to the Academy. In 1650 he ceased to subscribe, and works bearing his name and the date of 1653 support the belief that he had moved. Metsu was trained in Utrecht by Jan Baptist Weenix and Nicolaus Knepfer. In Amsterdam Metsu lived in an alley on Prinsengracht, where he kept chickens. He got into an argument with a neighbor and moved to a house on the canal side, where a daily vegetable market was held. In 1658 he married Isabella de Wolff, whose father was a potter and mother a painter. The Speed Art Museum has a portrait of the couple. Pieter de Grebber, a religious painter from Haarlem, was her uncle. At the onset of the 1660s Metsu turned for inspiration to the art of the "fijnschilders" from his native Leiden. Metsu was responding to the market of Dou's paintings, who sold his paintings all over for exorbitant prices. Metsu may have also influenced Pieter de Hoogh. Around the year 1661, Metsu won the patronage of the Amsterdam cloth merchant Jan J. Hinlopen and painted his family more than once in a fashionable surrounding. The Poultry-Seller, 1662 At least thirteen of paintings show carpets and he probably used the same model. He included several fine examples of minutely depicted floral and cloudband carpets in his works and even a silk Oriental rug, as well as so-called "Lotto" rugs which he for some reason, in contrast to his meticulous rendering of the floral carpets, depicted only in a very sketchy fashion. After Metsu died, his widow left for Enkhuizen, to live with her mother.
Gabriel von Max Gabriel von Max
(August 23, 1840 - November 24, 1915) was a Prague-born Austrian painter. He was born Gabriel Cornelius Max, the son of Czech sculptor Joseph Max and Anna Schumann. He studied between 1855 and 1858 at the Prague Academy of Arts with Eduard von Engerth. His studies included parapsychology (somnambulism, hypnotism, spiritism), Darwinism, Asiatic philosophy, the ideas of Schopenhauer, and various mystical traditions. The spiritual-mystical movement was emphasized by the writings of Carl du Prel, and the Munich painter Albert Keller was also an influence. His first large canvas was painted in 1858 while he was a student at the Prague Academy. He continued his studies at the Viennese Academy of Art with Karl von Blaas, Karl Mayer, Christian Ruben and Carl Wurzinger. From 1863 to 1867 he studied at the Munich Academy with Karl Theodor von Piloty, and also Hans Makart and Franz Defregger. His first critical success was in 1867 with the painting "Martyr at the Cross": that painting transformed the "Ungl?-ksmalerei" (dark palette) of Piloty into a religious-mystical symbolism using a psychological rendering of its subject. He continued to use the dark palette of the Piloty school well into the 1870s, later moving toward a more muted palette, using fewer,clearer colors. From 1869, Gabriel von Max had his studio in Munich; in the summer, he was in the Ammerland at Starnberger Lake. From 1879-1883, Gabriel Max was a professor of Historical Painting at the Munich Academy; he also became a Fellow of The Theosophical Society. In 1900 he was ennobled and became a Ritter. He died in Munich in 1915. His interest in anthropological studies also showed in his work. He owned a large scientific collection of prehistoric ethnological and anthropological finds: the collection now resides in the Stadtischen Reiss Museum in Mannheim. At his residence in Starnberger Lake, Gabriel Max surrounded himself with a family of monkeys, which he painted often, sometimes portraying them as human. Max, along with his colleagues, often used photographs to guide painting. The great number of monkey photographs in his archive testify to their use as direct translation into his paintings. In 1908, his painting "The Lion's Bride" became celebrated, and was depicted in motion pictures as an hommage in the Gloria Swanson film, Male and Female, (1919), directed by Cecil B. de Mille. Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art. Characteristic of the ethereal style of Gabriel Max is "The Last Token" (in the Metropolitan Museum), and "Light" (in the Odessa Museum of Western and Eastern Art, Ukraine).

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