Jean-Baptiste-Camille Corot El petróleo que Pinta la Reproducción


All Jean-Baptiste-Camille Corot Oil Paintings

was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
 

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     Jean-Baptiste-Camille Corot
     was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
 

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Jean-Baptiste-Camille Corot Erinnerung an Mortefontaine oil painting artist
  Pintura identificación::   90008
Erinnerung an Mortefontaine
1864(1864) Medium oil on canvas Dimensions 65 x 89 cm cyf


 

Jean-Baptiste-Camille Corot Erinnerung an Coubron oil painting artist
  Pintura identificación::   92162
Erinnerung an Coubron
1872(1872) Medium oil on canvas Dimensions 46 X 55,3 cm cyf


 

Jean-Baptiste-Camille Corot Souvenir of Marly-le-Roi oil painting artist
  Pintura identificación::   93008
Souvenir of Marly-le-Roi
1872. Oil on canvas. cjr


 

Jean-Baptiste-Camille Corot The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's oil painting artist
  Pintura identificación::   93231
The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's
1826-27 Medium oil on paper mounted on canvas Dimensions 26.7 x 43.2 cm (10.5 x 17 in) cjr


 

Jean-Baptiste-Camille Corot The Bridge at Mantes oil painting artist
  Pintura identificación::   96400
The Bridge at Mantes
Oil on canvas, ca. 1868-1870. cyf


 

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ARTISTA PREVIO       PROXIMO ARTISTA     

     Jean-Baptiste-Camille Corot
    was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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