Bonaventura Peeters El petróleo que Pinta la Reproducción


All Bonaventura Peeters Oil Paintings

(Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.
 

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     Bonaventura Peeters
      (Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.
 

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Bonaventura Peeters Grobes Seestuck oil painting artist
  Pintura identificación::   82147
Grobes Seestuck
Date by 1652(1652) Medium Oil on canvas Dimensions 50 x 85 cm (19.7 x 33.5 in) cjr


 

Bonaventura Peeters Dutch Ferry Boats in a Fresh Breeze oil painting artist
  Pintura identificación::   83570
Dutch Ferry Boats in a Fresh Breeze
1640s Medium Oil on oak panel Dimensions 33 x 38.2 x 6 cm (13 x 15 x 2.4 in) cyf


 

Bonaventura Peeters An Oriental Harbour oil painting artist
  Pintura identificación::   88436
An Oriental Harbour
between 1650(1650) and 1652(1652) Medium Oil on wood cyf


 

Bonaventura Peeters The Great Flood oil painting artist
  Pintura identificación::   90017
The Great Flood
first half of 17th century Medium oil on oak panel Dimensions Height: 19 cm (7.5 in). Width: 34 cm (13.4 in). cyf


 

Bonaventura Peeters Storm on the Sea oil painting artist
  Pintura identificación::   90402
Storm on the Sea
1632(1632) Medium oil on oak Dimensions Height: 58.5 cm (23 in). Width: 84.5 cm (33.3 in). cyf


 

  1  2   PROXIMO
ARTISTA PREVIO       PROXIMO ARTISTA     

     Bonaventura Peeters
     (Antwerp, 23 July 1614 - Hoboken (Antwerp), 25 July 1652) was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens (small seascapes). Peeters, brother of the seascape painters Jan Peeters I, Gillis Peeters, and Catharina Peeters, learned to paint from his father, who became a master in Antwerp's guild of St. Luke in 1607 - 1608, and his earlier works are related to the tonal phase of Dutch landscape painting. Later paintings, however, reflect the stronger colors of Italianate classicism. This shift follows the general changes in artistic style at the time. Like his brother Jan, dramatic shipwrecks with dark billowy clouds, form a significant part of his oeuvre, as do serene ports and "portraits" of ships.Also, while many of Peeters's paintings reflect actual locations, and he may have even travelled along the coast of Scandinavia, his many views of far-away Mediterranean and Middle Eastern ports reflect a growing taste for the exotic and are probably inspired from fantasy and from prints. This tradition developed simultaneously in Flemish painting and in Dutch Golden Age painting, with many artists, including Peeters, working in both Antwerp and in the Dutch Republic.

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