David Teniers the Younger El petróleo que Pinta la Reproducción


All David Teniers the Younger Oil Paintings

(December 15, 1610 C April 25, 1690), a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonne) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter, Anne Breughel, the daughter of Jan (Velvet) Breughel, married Teniers in 1637.
 
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     David Teniers the Younger
     (December 15, 1610 C April 25, 1690), a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonne) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter, Anne Breughel, the daughter of Jan (Velvet) Breughel, married Teniers in 1637. 		 

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David Teniers the Younger Erzherzog Leopold Wilhelm in seiner Galerie in Brussel oil painting artist
  Pintura identificación::   66308
Erzherzog Leopold Wilhelm in seiner Galerie in Brussel
ca. 1651 Oil on canvas 123 x 163 cm (48.43 x 64.17 in)


 
David Teniers the Younger The Temptation of St. Anthony oil painting artist
  Pintura identificación::   66307
The Temptation of St. Anthony
2nd third of 17th century oil on copper plate 55 x 69 cm (21.65 x 27.17 in)


 
David Teniers the Younger Die Galerie des Erzherzogs Leopold Wilhelm in Brussel oil painting artist
  Pintura identificación::   67677
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel
ca. 1651 Oil on copper 106 X 129 cm (41.73 X 50.79 in)


 
David Teniers the Younger Die Galerie des Erzherzogs Leopold Wilhelm in Brussel oil painting artist
  Pintura identificación::   70200
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel
Medium Oil on copper Dimensions 0106 X 129 cm


 
David Teniers the Younger Drei musizierende Bauern oil painting artist
  Pintura identificación::   80105
Drei musizierende Bauern
2nd third of 17th century Oil on panel 40 x 58 cm cjr


 
  1  2  3  4  5  6   PROXIMO
ARTISTA PREVIO       PROXIMO ARTISTA     
     David Teniers the Younger
    (December 15, 1610 C April 25, 1690), a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonne) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter, Anne Breughel, the daughter of Jan (Velvet) Breughel, married Teniers in 1637.

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