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All Adriaen Brouwer Oil Paintings

(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
 


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     Adriaen Brouwer
      (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
 

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Adriaen Brouwer Smokers in an Inn. oil painting artist
  ID de tableau::   92406
Smokers in an Inn.
Smokers in an Inn.
First half of the 17th century Medium oil on copper Dimensions 17.5 X 23 cm (6.9 X 9.1 in) cjr
First half of the 17th century Medium oil on copper Dimensions 17.5 X 23 cm (6.9 X 9.1 in) cjr


 

Adriaen Brouwer Trinker im Hof oil painting artist
  ID de tableau::   94102
Trinker im Hof
Trinker im Hof
circa 1631-1632 Medium oil on panel Dimensions 25,5 x 21 cm cjr
circa 1631-1632 Medium oil on panel Dimensions 25,5 x 21 cm cjr


 

Adriaen Brouwer Das Geful oil painting artist
  ID de tableau::   98244
Das Geful
Das Geful
circa 1635(1635) Medium oil on panel Dimensions 24 x 20 cm cyf
circa 1635(1635) Medium oil on panel Dimensions 24 x 20 cm cyf


 

Adriaen Brouwer Zaporizhian Camp oil painting artist
  ID de tableau::   98245
Zaporizhian Camp
Zaporizhian Camp
circa 1880(1880) Medium oil on canvas Dimensions 72 x 112 cm cyf
circa 1880(1880) Medium oil on canvas Dimensions 72 x 112 cm cyf


 

       précédent  2  3  4  5  6  7
Artiste précédent       Artiste prochain     

     Adriaen Brouwer
     (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.

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