Adriaen Brouwer Huiler la Reproduction de Tableau


All Adriaen Brouwer Oil Paintings

(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
 


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     Adriaen Brouwer
      (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
 

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Adriaen Brouwer The Bitter Draught oil painting artist
  ID de tableau::   87801
The Bitter Draught
The Bitter Draught
1635(1635) Medium Oil on wood cyf
1635(1635) Medium Oil on wood cyf


 

Adriaen Brouwer In the Tavern oil painting artist
  ID de tableau::   88551
In the Tavern
In the Tavern
first half of 17th century Medium Oil on wood cyf
first half of 17th century Medium Oil on wood cyf


 

Adriaen Brouwer Youth Making a Face oil painting artist
  ID de tableau::   88705
Youth Making a Face
Youth Making a Face
Oil on panel Dimensions 13.7 x 10.5 cm (5.4 x 4.1 in cyf
Oil on panel Dimensions 13.7 x 10.5 cm (5.4 x 4.1 in cyf


 

Adriaen Brouwer Kartenspielende Bauern in einer Schenke oil painting artist
  ID de tableau::   88832
Kartenspielende Bauern in einer Schenke
Kartenspielende Bauern in einer Schenke
1630- 1640 Medium Oil on wood Dimensions 33 x 43 cm (13 x 16.9 in) cyf
1630- 1640 Medium Oil on wood Dimensions 33 x 43 cm (13 x 16.9 in) cyf


 

Adriaen Brouwer Musicerend gezelschap oil painting artist
  ID de tableau::   90261
Musicerend gezelschap
Musicerend gezelschap
between 1620(1620) and 1750(1750) Medium oil on panel Dimensions 39 x 26 cm (15.4 x 10.2 in) cjr
between 1620(1620) and 1750(1750) Medium oil on panel Dimensions 39 x 26 cm (15.4 x 10.2 in) cjr


 

       précédent  1  2  3  4  5  6  7   prochain
Artiste précédent       Artiste prochain     

     Adriaen Brouwer
     (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.

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