Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The Musicians f oil


The Musicians f
Painting ID::  5720
The Musicians f
1595-96 Oil on canvas, 92 x 118,5 cm Metropolitan Museum of Art, New York
   
   
     

Caravaggio The Fortune Teller vf oil


The Fortune Teller vf
Painting ID::  5721
The Fortune Teller vf
c. 1596 Oil on canvas, 115 x 150 cm Musei Capitolini, Rome
   
   
     

Caravaggio The Cardsharps f oil


The Cardsharps f
Painting ID::  5722
The Cardsharps f
c. 1596 Oil on canvas, 90 x 112 cm Kimbell Art Museum, Forth Worth
   
   
     

Caravaggio The Lute Player f oil


The Lute Player f
Painting ID::  5723
The Lute Player f
c. 1600 Oil on canvas, 100 x 126,5 cm Metropolitan Museum of Art, New York (on loan)
   
   
     

Caravaggio Lute Player f oil


Lute Player f
Painting ID::  5724
Lute Player f
c. 1596 Oil on canvas, 94 x 119 cm The Hermitage, St. Petersburg
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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