Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio Youth Bitten by a Green Lizard oil


Youth Bitten by a Green Lizard
Painting ID::  318
Youth Bitten by a Green Lizard
1592-93 Longhi Collection, Florence
1592-93_ Longhi_Collection,_Florence
   
   
     

Caravaggio Rest During the Flight into Egypt oil


Rest During the Flight into Egypt
Painting ID::  319
Rest During the Flight into Egypt
1595-96 Galleria Doria Pamphili
1595-96_ Galleria_Doria_Pamphili
   
   
     

Caravaggio The Cardsharps oil


The Cardsharps
Painting ID::  320
The Cardsharps
1595 Kimbell Art Museum, Fort Worth
1595_ Kimbell_Art_Museum,_Fort_Worth
   
   
     

Caravaggio Medusa oil


Medusa
Painting ID::  321
Medusa
1590 Galleria degli Uffizi, Florence
1590_ Galleria_degli_Uffizi,_Florence
   
   
     

Caravaggio The Sacrifice of Isaac oil


The Sacrifice of Isaac
Painting ID::  322
The Sacrifice of Isaac
c1596 Barbara Piasecka Johnson Collection, Princeton, NJ
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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