Pontormo

Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.


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Pontormo Holy Family oil


Holy Family
Painting ID::  62025
Holy Family
mk276 1518 years 214 x 185cm
mk276_1518_years_214_x_185cm
   
   
     

Pontormo Joseph in Egypt oil


Joseph in Egypt
Painting ID::  62026
Joseph in Egypt
mk276 1518 years 44 x 49cm oil on wood National Gallery, London
   
   
     

Pontormo Gethsemane Garden oil


Gethsemane Garden
Painting ID::  62027
Gethsemane Garden
mk276 1522 frescos years 300 x 290cm Qieer holds the Sa monastery
   
   
     

Pontormo Christ before Pilate oil


Christ before Pilate
Painting ID::  62028
Christ before Pilate
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
   
   
     

Pontormo To skull mountain oil


To skull mountain
Painting ID::  62029
To skull mountain
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
   
   
     

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     Pontormo
     Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.

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