Pontormo

Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.


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Pontormo The Mabl in Emmaus oil


The Mabl in Emmaus
Painting ID::  45428
The Mabl in Emmaus
mk186 around 1525 Florence, Uffizien
mk186 around_1525_Florence,_Uffizien
   
   
     

Pontormo Monsignor della Casa oil


Monsignor della Casa
Painting ID::  53744
Monsignor della Casa
mk234 ca 1541/44 102x79cm
mk234_ ca_1541/44_ 102x79cm
   
   
     

Pontormo Gravlaggningen oil


Gravlaggningen
Painting ID::  53746
Gravlaggningen
mk234 ca 1525/28 312x190cm
mk234_ ca_1525/28_ 312x190cm
   
   
     

Pontormo joseph with jacob in egypt oil


joseph with jacob in egypt
Painting ID::  56707
joseph with jacob in egypt
mk247 1518,oil on wood ,38x43.125 in,96.5x109.5 cm,national gallery,london,uk
   
   
     

Pontormo Old Cosimo oil


Old Cosimo
Painting ID::  62014
Old Cosimo
mk276 1519 Oil on canvas 86 x 65cm Florence Museum
mk276_1519_Oil_on_canvas_86_x_65cm_Florence_Museum
   
   
     

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     Pontormo
     Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.

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