China Großhandelsöl, das Rahmen Anstreicht, der Mirro China Formt


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gabriele munter gabriele munter
Gabriele Munter (1877 - 1962) was a German expressionist painter who was at the forefront of the Munich avant-garde in the early 20th century.Gabriele Meenter was born in Berlin and showed an interest in art from a young age. She received private tuition in drawing and attended the local Women Artists School, as she was unable to enroll in the German art academies because she was a woman. Meenter left Berlin to attend the progressive Phalanx School in Munich. There she studied sculpture, printmaking and painting and in 1902 began a very intimate and personal relationship with the School director Wassily Kandinsky; they were later engaged to be married. In 1911 they founded the avant-garde expressionist group known as Der Blaue Reiter (The Blue Rider) group.During World War I the couple left Germany to take refuge in Switzerland, but since Kandinsky was Russian he was forced to return to Moscow in 1914. He divorced and remarried while in Russia and never saw Meenter again. She returned to Germany following the war but was relatively inactive in the arts again until the 1920s. During World War II she hid Kandinsky works and those of other members of the Blue Rider from the Nazis. She died in 1962 in Murnau am Staffelsee.
Georg Macco Georg Macco
Germany (1863- 1933 ) - Painter
Georg Melchior Kraus Georg Melchior Kraus
(26 July 1737, Frankfurt am Main - 5 November 1806, Weimar) was a German painter. A student of Johann Heinrich Tischbein, he was also a teacher himself (his pupils included Ferdinand Jagemann), as well as an entrepreneur and friend of Goethe. He was a co-founder of the Ferstliche freie Zeichenschule Weimar with Friedrich Justin Bertuch in 1776.
George Herbert McCord George Herbert McCord
(1848 -1909 ) - Painter
George Hicks George Hicks
British 1824-1914
George M Bruestle George M Bruestle
1872-1939 George M Bruestle Gallery
george moore george moore
(1873 C 1958), G.E. Moore, British philosopher
George Morland George Morland
British 1763-1804
George Mosson George Mosson
George Mason IV (December 11, 1725 - October 7, 1792) was an American Patriot, statesman and a delegate from Virginia to the U.S. Constitutional Convention. Along with James Madison, he is called the "Father of the Bill of Rights."[1][2][3][4] For these reasons he is considered one of the "Founding Fathers" of the United States.[5][6] Like anti-federalist Patrick Henry, Mason was a leader of those who pressed for the addition of explicit States rights[7] and individual rights to the U.S. Constitution as a balance to the increased federal powers, and did not sign the document in part because it lacked such a statement. His efforts eventually succeeded in convincing the Federalists to add the first ten amendments of the Constitution. These amendments, collectively known as the Bill of Rights, were based on the earlier Virginia Declaration of Rights, which Mason had drafted in 1776. On the nagging issue of slavery, Mason walked a fine line. Although a slaveholder himself, he found slavery repugnant for a variety of reasons. He wanted to ban further importation of slaves from Africa and prevent slavery from spreading to more states. However, he did not want the new federal government to attempt to ban slavery where it already existed, because he anticipated that such an act would be difficult and controversial.
Georges Michel Georges Michel
French Painter, 1763-1843
Gerhard Munthe Gerhard Munthe
1849 (1929)
GHEERAERTS, Marcus the Younger GHEERAERTS, Marcus the Younger
Flemish Baroque Era Painter, ca.1561-1636
Giambattista Moroni Giambattista Moroni
Albino(near Bergamo 1520/25-Bergamo 1578
GIAMBONO, Michele GIAMBONO, Michele
Italian painter, Venetian school (known 1420-1462 in Venice)
Gian Emilio Malerba Gian Emilio Malerba
(1880 -1926 ) - Painter
Gillis Mostaert Gillis Mostaert
Hulst circa 1528/9-1598 Antwerp
Gillis Mostraert Gillis Mostraert
Hulst 1534-Antwerp after 1598
Giovanni Battista Moroni Giovanni Battista Moroni
Italian c1520-1578
GIOVANNI DA MODENA GIOVANNI DA MODENA
Italian painter, Bolognese school (active 1409-1456 in Bologna)
Giovanni Mansueti Giovanni Mansueti
Italian Early Renaissance Painter, active 1484-ca.1526
Giovanni Michele Graneri Giovanni Michele Graneri
painted The Teatro Regio in Turin in 1752
Giovanni Migliara Giovanni Migliara
Italian 1785-1837
Girolamo Macchietti Girolamo Macchietti
Italian Painter , Firenze1535-1592
Girolamo Mocetto Girolamo Mocetto
Italian Painter, ca.1470-1531
Giuseppe Maria Crespi Giuseppe Maria Crespi
1665-1747 Italian Giuseppe Maria Crespi Locations
Giuseppe Maria Terreni Giuseppe Maria Terreni
Italian , (1739-1811)
GIUSTO de  Menabuoi GIUSTO de Menabuoi
Italian painter, Florentine school (b. ca. 1320, Firenze, d. 1391,
Grunewald, Matthias Grunewald, Matthias
German Northern Renaissance Painter, ca.1470-1528
Guan Zuolin of Macao Guan Zuolin of Macao
painted Portrait of Captain Joseph Huddart in c. 1785
Gustave Moreau Gustave Moreau
French 1826-1898
H.Siddons Mowbray H.Siddons Mowbray
American Painter, 1858-1928
Hanna Mehls Hanna Mehls
painted Blumenstillleben in 1900
Hans Makart Hans Makart
(May 28, 1840 - October 3, 1884) was a 19th century Austrian academic history painter, designer, and decorator; most well known for his influence on Gustav Klimt and other Austrian artists, but in his own era considered an important artist himself and was a celebrity figure in the high culture of Vienna, attended with almost cult-like adulation. Makart was the son of a chamberlain at the Mirabell Palace, born in the former residence of the prince-archbishops of Salzburg. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach. While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academice clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all. Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent and forced to leave the Vienna Academy. He went to Munich, and after two years of independent study attracted the attention of Karl Theodor von Piloty, under whose guidance, between 1861 and 1865 he developed his painting style. During these years, Makart also travelled to London, Paris and Rome to further his studies. The first picture he painted under Piloty, Lavoisier in Prison, though it was considered timid and conventional, attracted attention by its sense of color. In his next work, The Knight and the Water Nymphs, he first displayed the decorative qualities to which he afterwards sacrificed everything else in his work. His fame became established in the next year, with two works, Modern Amoretti and The Plague in Florence. His painting Romeo and Juliet was soon after bought by the Austrian emperor for the Vienna Museum, and Makart was invited to come to Vienna by the aristocracy. The prince Von Hohenlohe provided Makart with an old foundry at the Gusshausstraße 25 to use as a studio. He gradually turned it into an impressive place full of sculptures, flowers, musical instruments, requisites and jewellery that he used to create classical settings for his portraits, mainly of women. Eventually his studio looked like a salon and became a social meeting point in Vienna. Cosima Wagner described it as a "wonder of decorative beauty, a sublime lumber-room". His luxurious studio served as a model for a great many upper middle-class living rooms. The opulent, semi-public spaces of the Makart atelier were the scene of a recurring rendezvous between the artist and his public. The artist became the mediator between different levels of society: he created a socially ambiguous sphere in which nobility and bourgeoisie could encounter one another in mutual veneration of the master, and aestheticized the burgeoning self-awareness of the bourgeoisie by means of historical models drawn from the world of the aristocracy. In this way, an artist like Makart lived out the image that high society had created of him. Makart is considered by many as being the first art star, referred to by contemporaries an "artist prince" (Malerferst) in the tradition of Rubens. Makart became the acknowledged leader of the artistic life of the Vienna, which in the 1870s passed through a period of feverish activity, the chief results of which are the sumptuously decorated public buildings of the Ringstraße. He not only practised painting, but was also an interior designer, costume designer, furniture designer, and decorator, and his work decorated most of the public spaces of the era. His work engendered the term "Makartstil", or "Makart style", which completely characterized the era. In 1879, Makart had designed a pageant organised to celebrate the Silver Wedding Anniversary of the Imperial couple, emperor Franz Josef and his wife Elisabeth of Bavaria he designed, single-handed, the costumes, scenic setting, and triumphal cars. This became known as the "Makart-parade", and had given the people of Vienna the chance to dress up in historical costumes and be transported back into the past for a few hours. At the head of the parade was a float for artists, led by Makart on a white horse. His festivals became an institution in Vienna which lasted up until the 1960s. In the same year as the first parade he became a Professor at the Vienna Academy. Makart's painting The Entry of Charles V into Antwerp caused some controversy, because Charles V was depicted arriving in a procession surrounded by nude virgins; the offense was the mistaken idea that the nudes had no place in the modern scene. In the United States, the painting fell under the proscription of Anthony Comstock, which secured Makart's fame there. The American public desired at once to see what Comstock was persecuting, so they could tell whether he was acting correctly or in error. Salzburg's Makart Square, or Makartplatz, was named after the painter.
Hans Memling Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494
Hans Muelich Hans Muelich
painted Court Jester Mertl, Munich in 1545
Hans Multscher Hans Multscher
German Northern Renaissance Sculptor, ca.1400-1467
Hans von Marees Hans von Marees
(24 December 1837 - 5 June 1887) was a German painter. He mainly painted country scenes in a realistic style. Von Marees was born in Elberfeld, Germany. At age 16, he was sent to the Berlin Academy. In 1857, he moved to Munich. In 1869, he visited France, the Netherlands and Spain. He served in the Franco-Prussian War (1870-71) and then lived in Berlin and Dresden for a while. In 1873, he decorated the library walls of the newly built Naples Zoological Institute in Italy. The next year, he moved to Florence. He died in Rome at the age of 49 and is buried in the Protestant Cemetery there.
Hans von Maress Hans von Maress
1837 Elberfeld-1887 Rome
Harry Morley Harry Morley
1881-1943
HEEMSKERCK, Maerten van HEEMSKERCK, Maerten van
Netherlandish painter (b. 1498, Heemskerck, d. 1574, Haarlem).
Heinrich Martin Krabbe Heinrich Martin Krabbe
painted Young Lady in 19th/20th century
Helen Galloway McNicoll ( Helen Galloway McNicoll (
Canadian, 1879-1915
Hendrik Willem Mesdag Hendrik Willem Mesdag
Hendrik Willem Mesdag was born on February 23, 1831 in Groningen. His father, a merchant and banker, was an amateur painter who saw to it that his two sons were also educated in the art of painting.
Henri Martin Prints Henri Martin Prints
French Post-Impressionist Painter, 1860-1943
Henri Matisse Henri Matisse
French Fauvist Painter and Sculptor, 1869-1954
Henri Matisse Prints Henri Matisse Prints
French Fauvist Painter and Sculptor, 1869-1954
Henri Millot Henri Millot
(1699 -1756 ) - Painter
Henrietta Mary Ada Ward Henrietta Mary Ada Ward
Historical genre painter.1852-1924

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China Großhandelsöl, das Rahmen Großhandelsrahmenöl Anstreicht, das Großhandelsspiegelgroßhandel Anstreicht, der chinesisches Bild Rahmen China Öl Gemälde Formt
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