Teodor Axentowicz Huiler la Reproduction de TableauAll Teodor Axentowicz Oil Paintingsborn May 13, 1859 in Braşov, Romania - August 26, 1938 in Krakew) was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Krakew. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Axentowicz was born May 13, 1859 in Braşov, Hungary (now Romania), to a family of Polish-Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John [Arthur] Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career. |
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| Teodor Axentowicz born May 13, 1859 in Braşov, Romania - August 26, 1938 in Krakew) was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Krakew. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Axentowicz was born May 13, 1859 in Braşov, Hungary (now Romania), to a family of Polish-Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John [Arthur] Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career. |
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ID de tableau:: 84905 Italian florist. Italian florist. Date 1882(1882) Medium Oil on canvas Dimensions 125 x 87 cm (49.2 x 34.3 in) cjr Date 1882(1882) Medium Oil on canvas Dimensions 125 x 87 cm (49.2 x 34.3 in) cjr |
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ID de tableau:: 88739 Italian florist Italian florist 1882(1882) Medium Oil on canvas Dimensions 125 x 87 cm (49.2 x 34.3 in) cyf 1882(1882) Medium Oil on canvas Dimensions 125 x 87 cm (49.2 x 34.3 in) cyf |
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ID de tableau:: 89547 Hutsul Funeral Hutsul Funeral 1882(1882) Medium oil on canvas Dimensions 86 x 115 cm (33.9 x 45.3 in) cjr 1882(1882) Medium oil on canvas Dimensions 86 x 115 cm (33.9 x 45.3 in) cjr |
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ID de tableau:: 91381 The Anchorite The Anchorite 1881(1881) Medium oil on canvas Dimensions 129 x 95 cm (50.8 x 37.4 in) cyf 1881(1881) Medium oil on canvas Dimensions 129 x 95 cm (50.8 x 37.4 in) cyf |
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ID de tableau:: 93696 The Goose Girl. The Goose Girl. 1883(1883) Medium oil on canvas Dimensions 41 x 53 cm (16.1 x 20.9 in) cjr 1883(1883) Medium oil on canvas Dimensions 41 x 53 cm (16.1 x 20.9 in) cjr |
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Teodor Axentowicz born May 13, 1859 in Braşov, Romania - August 26, 1938 in Krakew) was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Krakew. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Axentowicz was born May 13, 1859 in Braşov, Hungary (now Romania), to a family of Polish-Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John [Arthur] Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he continued his education until 1895. During that time he started a long-time cooperation with various journals and started his career as a copyist, duplicating the works of Tizian and Botticelli. He also made numerous travels to London and Rome, where he prepared a set of portraits, one of the first in his career. |
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