Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Gerard David Mary and Child oil


Mary and Child
Painting ID::  83248 		Mary and Child
Date 1490(1490) Medium Oil on wood cjr
Date_1490(1490) _ Medium_Oil_on_wood _ cjr
   
   
     
Gerard David Virgin and Child with the Milk Soup oil


Virgin and Child with the Milk Soup
Painting ID::  83253 		Virgin and Child with the Milk Soup
Date ca. 1515(1515) Medium Oil on oak cjr
Date_ca._1515(1515) _ Medium_Oil_on_oak _ cjr
   
   
     
Gerard David The Marriage at Cana oil


The Marriage at Cana
Painting ID::  84700 		The Marriage at Cana
Date ca. 1500(1500) Medium Oil on wood cjr
Date_ca._1500(1500) _ Medium_Oil_on_wood _ cjr
   
   
     
Gerard David Triptych of the Sedano Family oil


Triptych of the Sedano Family
Painting ID::  84715 		Triptych of the Sedano Family
Date ca. 1495 (1490-1498) Medium Oil on panel Dimensions 97 x 145 cm (38.2 x 57.1 in) cjr
   
   
     
Gerard David Virgin and Child with Four Angels oil


Virgin and Child with Four Angels
Painting ID::  87254 		Virgin and Child with Four Angels
1510-15 Medium Oil on wood cyf
1510-15 _ Medium_Oil_on_wood _ cyf
   
   
     
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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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