Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.


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Gerard David Lamentation oil


Lamentation
Painting ID::  42928
Lamentation
mk170 1515-1520 Oil on oak 63x62.1cm
mk170 1515-1520 Oil_on_oak 63x62.1cm
   
   
     

Gerard David THe Virgin and Child with Saints and Donor oil


THe Virgin and Child with Saints and Donor
Painting ID::  42929
THe Virgin and Child with Saints and Donor
mk170 circa 1510 Oil on oak 105.8x144.4cm
mk170 circa_1510 Oil_on_oak 105.8x144.4cm
   
   
     

Gerard David Maria with child oil


Maria with child
Painting ID::  45500
Maria with child
mk186 1515 Brussel, Musees Royaux of the Beaux-type
mk186 _1515_Brussel,_Musees_Royaux_of_the_Beaux-type
   
   
     

Gerard David The wedding to canons oil


The wedding to canons
Painting ID::  45510
The wedding to canons
mk186 1500-03 Paris muse you Louvre
mk186 _1500-03_Paris_muse_you_Louvre
   
   
     

Gerard David Vila during the flight to Egypt oil


Vila during the flight to Egypt
Painting ID::  53678
Vila during the flight to Egypt
mk234 about 1510 44x45cm
mk234_ about_1510_ 44x45cm
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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