Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.


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Gerard David Madonna and Child with the Milk Soup oil


Madonna and Child with the Milk Soup
Painting ID::  87258
Madonna and Child with the Milk Soup
1520(1520) Medium Oil on oak cyf
1520(1520) _ Medium_Oil_on_oak _ cyf
   
   
     

Gerard David The Rest on the Flight into Egypt oil


The Rest on the Flight into Egypt
Painting ID::  88029
The Rest on the Flight into Egypt
c. 1510 Medium Oil on wood Dimensions Deutsch: 45 x 44,5 cm cjr
   
   
     

Gerard David The Marriage at Cana oil


The Marriage at Cana
Painting ID::  88610
The Marriage at Cana
1500(1500) Medium Oil on wood cyf
1500(1500) _ Medium_Oil_on_wood _ cyf
   
   
     

Gerard David The Marriage at Cana oil


The Marriage at Cana
Painting ID::  88611
The Marriage at Cana
1500(1500) Medium Oil on wood cyf
1500(1500) _ Medium_Oil_on_wood _ cyf
   
   
     

Gerard David The Marriage at Cana oil


The Marriage at Cana
Painting ID::  88612
The Marriage at Cana
1500(1500) Medium Oil on wood cyf
1500(1500) _ Medium_Oil_on_wood _ cyf
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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