Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Gerard David The Madonna of the Milk Soup oil


The Madonna of the Milk Soup
Painting ID::  704 		The Madonna of the Milk Soup
1520 Musees Royaux des Beaux Arts, Brussels
1520_ Musees_Royaux_des_Beaux_Arts,_Brussels
   
   
     
Gerard David The Marriage Feast at Cana oil


The Marriage Feast at Cana
Painting ID::  705 		The Marriage Feast at Cana
c1511 Musee du Louvre, Paris
c1511_ Musee_du_Louvre,_Paris
   
   
     
Gerard David The Rest on the Flight into Egypt oil


The Rest on the Flight into Egypt
Painting ID::  707 		The Rest on the Flight into Egypt
Metropolitan Museum of Art, New York
Metropolitan_Museum_of_Art,_New_York
   
   
     
Gerard David The Rest on the Flight to Egypt_1 oil


The Rest on the Flight to Egypt_1
Painting ID::  709 		The Rest on the Flight to Egypt_1
1513-23 Museo del Prado, Madrid
1513-23_ Museo_del_Prado,_Madrid
   
   
     
Gerard David The Rest on the Flight into Egypt_1 oil


The Rest on the Flight into Egypt_1
Painting ID::  710 		The Rest on the Flight into Egypt_1
Metropolitan Museum of Art, New York
Metropolitan_Museum_of_Art,_New_York
   
   
     
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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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