Fra Angelico

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.


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Fra Angelico The Deposition oil


The Deposition
Painting ID::  40184
The Deposition
mk156 1437-1440 Tempera on panel 176x185cm
mk156 1437-1440 Tempera_on_panel 176x185cm
   
   
     

Fra Angelico Noli Me Tangere oil


Noli Me Tangere
Painting ID::  40188
Noli Me Tangere
mk156 1440-1441 Fresco 180x146cm
mk156 1440-1441 Fresco 180x146cm
   
   
     

Fra Angelico Annunciatie oil


Annunciatie
Painting ID::  42626
Annunciatie
mk169 ca.1440-45 Fresco 187x157cm S. Marco. Florence
mk169 ca.1440-45_Fresco_187x157cm_S._Marco._Florence
   
   
     

Fra Angelico The Virgin mary with the Apostles and other Saints oil


The Virgin mary with the Apostles and other Saints
Painting ID::  42829
The Virgin mary with the Apostles and other Saints
mk170 1423-1425 Tempera on poplar 32x63.5cm
mk170 1423-1425 Tempera_on_poplar 32x63.5cm
   
   
     

Fra Angelico The attempted mary yrdom of ss Cosmas and damian oil


The attempted mary yrdom of ss Cosmas and damian
Painting ID::  50909
The attempted mary yrdom of ss Cosmas and damian
mk216 this panel is part of a series of ten small scense which formed a base to the altar-piece
   
   
     

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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