Elioth Gruner

New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),


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Elioth Gruner Tamarama Beach oil


Tamarama Beach
Painting ID::  77252
Tamarama Beach
oil on canvas, 22.8 x 27 cm) by Elioth Gruner (1882?C1939). cyf
   
   
     

Elioth Gruner Summer Morning oil


Summer Morning
Painting ID::  77253
Summer Morning
oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882?C1939). cyf
   
   
     

Elioth Gruner Afternoon Bondi oil


Afternoon Bondi
Painting ID::  77254
Afternoon Bondi
oil on canvas, 25.5 x 22.7 cm) by Elioth Gruner (1882?C1939). cyf
   
   
     

Elioth Gruner Morning Light oil


Morning Light
Painting ID::  77255
Morning Light
oil on canvas, 38.5 x 43.7 cm) by Elioth Gruner (1882?C1939). cyf
   
   
     

Elioth Gruner Bondi Beach oil


Bondi Beach
Painting ID::  77256
Bondi Beach
oil on cardboard, 22.0 x 21.5 cm) by Elioth Gruner (1882?C1939). cyf
   
   
     

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     Elioth Gruner
     New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),

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