Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Triptych sdg oil


Triptych sdg
Painting ID::  6492 		Triptych sdg
1305-08 Panel, 44,9 x 31,4 cm (centre); 44,8 x 16,9 cm (each wing) Royal Collection, Windsor
   
   
     
Duccio di Buoninsegna Polyptych No. 47 (detail) dfg oil


Polyptych No. 47 (detail) dfg
Painting ID::  6493 		Polyptych No. 47 (detail) dfg
after 1311 Tempera on wood, 80 x 60 cm Pinacoteca Nazionale, Siena
   
   
     
Duccio di Buoninsegna Guardroom with Soldiers Playing Cards g oil


Guardroom with Soldiers Playing Cards g
Painting ID::  6494 		Guardroom with Soldiers Playing Cards g
Oil on canvas, 42,5 x 36,3 cm Museum of Fine Arts, Budapest
   
   
     
Duccio di Buoninsegna Madonna of the Franciscans (mk08) oil


Madonna of the Franciscans (mk08)
Painting ID::  21153 		Madonna of the Franciscans (mk08)
C.1300 Tempera on wood 24x16cm Siena, Pinacoteca Nazionale
   
   
     
Duccio di Buoninsegna Adoration of the Magi (mk08) oil


Adoration of the Magi (mk08)
Painting ID::  21154 		Adoration of the Magi (mk08)
1308-1311 Tempera on wood . 42.5x44cm Siena,Museo dell'Opera del Duomo
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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