Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Madonna of the Franciscans dg oil


Madonna of the Franciscans dg
Painting ID::  6487 		Madonna of the Franciscans dg
c. 1300 Tempera on wood, 23,5 x 16 cm Pinacoteca Nazionale, Siena
   
   
     
Duccio di Buoninsegna Madonna and Child with Six Angels dfg oil


Madonna and Child with Six Angels dfg
Painting ID::  6488 		Madonna and Child with Six Angels dfg
1300-05 Tempera on wood, 97 x 63 cm Galleria Nazionale dell'Umbria, Perugia
   
   
     
Duccio di Buoninsegna Polyptych No. 28 sdf oil


Polyptych No. 28 sdf
Painting ID::  6489 		Polyptych No. 28 sdf
1300-05 Tempera on wood, 128 x 234 cm Pinacoteca Nazionale, Siena
   
   
     
Duccio di Buoninsegna Polyptych No. 28 (detail) dfgn oil


Polyptych No. 28 (detail) dfgn
Painting ID::  6490 		Polyptych No. 28 (detail) dfgn
1300-05 Tempera on wood, 77,5 x 62 cm Pinacoteca Nazionale, Siena
   
   
     
Duccio di Buoninsegna Triptych dfg oil


Triptych dfg
Painting ID::  6491 		Triptych dfg
1300-05 Tempera on wood, 61,5 x 78 cm National Gallery, London
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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