Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.


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Duccio di Buoninsegna Slaughter of the Innocents oil


Slaughter of the Innocents
Painting ID::  258
Slaughter of the Innocents
Museo dell'Opera del Duomo, Siena
Museo_dell'Opera_del_Duomo,_Siena
   
   
     

Duccio di Buoninsegna The Maesta Altarpiece oil


The Maesta Altarpiece
Painting ID::  259
The Maesta Altarpiece
1308-11 Museo dell'Opera del Duomo, Siena
1308-11_ Museo_dell'Opera_del_Duomo,_Siena
   
   
     

Duccio di Buoninsegna Madonna and Child Enthroned with Angels and Saints oil


Madonna and Child Enthroned with Angels and Saints
Painting ID::  260
Madonna and Child Enthroned with Angels and Saints
Museo dell'Opera del Duomo, Siena
Museo_dell'Opera_del_Duomo,_Siena
   
   
     

Duccio di Buoninsegna Crucifixion oil


Crucifixion
Painting ID::  261
Crucifixion
Museo dell'Opera del Duomo, Siena
Museo_dell'Opera_del_Duomo,_Siena
   
   
     

Duccio di Buoninsegna Crown of Thorns oil


Crown of Thorns
Painting ID::  262
Crown of Thorns
Museo dell'Opera del Duomo, Siena
Museo_dell'Opera_del_Duomo,_Siena
   
   
     

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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