Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Count-Duke of Olivares on Horseback (df01) oil


Count-Duke of Olivares on Horseback (df01)
Painting ID::  22497
Count-Duke of Olivares on Horseback (df01)
1634 Cat no 66
1634 Cat_no_66
   
   
     

Diego Velazquez Philip III on Horseback (df01) oil


Philip III on Horseback (df01)
Painting ID::  22498
Philip III on Horseback (df01)
1634-1635 Cat no 68
1634-1635 Cat_no_68
   
   
     

Diego Velazquez Infanta Margarita (df01) oil


Infanta Margarita (df01)
Painting ID::  22499
Infanta Margarita (df01)
1653 Cat no 122
1653 Cat_no_122
   
   
     

Diego Velazquez Prince Felipe Prospero (df01) oil


Prince Felipe Prospero (df01)
Painting ID::  22500
Prince Felipe Prospero (df01)
1659 Cat no 129
1659 Cat_no_129
   
   
     

Diego Velazquez The Temptation of St Thomas Aquinas (df01) oil


The Temptation of St Thomas Aquinas (df01)
Painting ID::  22501
The Temptation of St Thomas Aquinas (df01)
1631-1632 cat no 130
1631-1632 cat_no_130
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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