Camille Pissaro

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.


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Camille Pissaro Kitchen Garden with Trees in Flower, Pontoise oil


Kitchen Garden with Trees in Flower, Pontoise
Painting ID::  4294
Kitchen Garden with Trees in Flower, Pontoise
1877 Musee d'Orlay, Paris
1877_Musee_d'Orlay,_Paris
   
   
     

Camille Pissaro Hoarfrost oil


Hoarfrost
Painting ID::  4297
Hoarfrost
1873 Musee d'Orlay, Paris
1873_Musee_d'Orlay,_Paris
   
   
     

Camille Pissaro The Old Market Town at Rouen oil


The Old Market Town at Rouen
Painting ID::  4303
The Old Market Town at Rouen
1898 The Metropolitan Museum of Art, New York
1898_The_Metropolitan_Museum_of_Art,_New_York
   
   
     

Camille Pissaro Hyde Park, London oil


Hyde Park, London
Painting ID::  4309
Hyde Park, London
1890
1890
   
   
     

Camille Pissaro Kew, The Path to the Main Conservatory oil


Kew, The Path to the Main Conservatory
Painting ID::  4313
Kew, The Path to the Main Conservatory
1892
1892
   
   
     

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     Camille Pissaro
     1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

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