Bihzad

the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.
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Bihzad Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna oil


Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna
Painting ID::  34184 		Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna
mk90 Illustration by Bihzad or his workshop for the Zafar Nameh
   
   
     
Bihzad His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro oil


His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro
Painting ID::  34185 		His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro
mk90 Illustration attributed to Bihzad from the romance Prince Kusro and Queen Shirin in Nizami\'s Khamseh copied for the Timurid emir Ali Farsi Barlas Herat 1494-95
   
   
     
Bihzad A shaykh in the prayer niche of a mosque oil


A shaykh in the prayer niche of a mosque
Painting ID::  34186 		A shaykh in the prayer niche of a mosque
mk90 Detail of an illustration by Bihzad for sa di\'s Bustan Herat 1488-89
   
   
     
Bihzad The poet Nizami oil


The poet Nizami
Painting ID::  34188 		The poet Nizami
mk90 Detail of an illustration attributed to Bihzad for Nizami\'s Layli and Majnun Herat 1494-95
   
   
     
Bihzad A dervish awed by a prince s tajalli oil


A dervish awed by a prince s tajalli
Painting ID::  34191 		A dervish awed by a prince s tajalli
mk90 Illustration to Attar\'s Parliament of Fowles Usually attributed to Bihzad
   
   
     
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     Bihzad
     the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.

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