Ambrogio Lorenzetti

Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.


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Ambrogio Lorenzetti den goda styrelsen oil


den goda styrelsen
Painting ID::  56623
den goda styrelsen
mk248 dena detaljbild ger en glimt av den vardagliga tillvaron i en valskott stad. man ocb kvinnor rider runt till bast, en butik ar oppen for affarer ocb en intressant del av stadens arkitektur avbildas. med alla tinner ocb balkonger. aven om siea vid tiden for malningen tavlade med florens i fraga om valtsnd ar dtta formodigen en idealiserad bild av staden som ska kontratrastera mot de fresken med den onda styrelsen i amma der visas i stllet en stad odelagd av bungersnod ocb monster faller fran skyn.
   
   
     

Ambrogio Lorenzetti Madonna oil


Madonna
Painting ID::  79483
Madonna
1319(1319) Oil on panel 85 x 57 cm (33.5 x 22.4 in) cjr
   
   
     

Ambrogio Lorenzetti Madonna del Latte oil


Madonna del Latte
Painting ID::  79535
Madonna del Latte
1st third of 14th century Oil on panel 90 x 45 cm (35.4 x 17.7 in) cjr
   
   
     

Ambrogio Lorenzetti Madonna oil


Madonna
Painting ID::  82390
Madonna
1319(1319) Medium Oil on panel Dimensions 85 x 57 cm (33.5 x 22.4 in) cyf
   
   
     

Ambrogio Lorenzetti Madonna del Latte oil


Madonna del Latte
Painting ID::  82449
Madonna del Latte
Oil on panel Dimensions 90 x 45 cm (35.4 x 17.7 in) cyf
   
   
     

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     Ambrogio Lorenzetti
     Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.

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