All PARMIGIANINO Oil Paintings

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
 
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PARMIGIANINO The Conversion of St Paul oil on canvas


The Conversion of St Paul
The Conversion of St Paul
Painting ID::  31365 		  nn07 Oil on canvas, 177,5 x 128,5 cm Kunsthistorisches Museum, Vienna
  nn07 Oil on canvas, 177,5 x 128,5 cm Kunsthistorisches Museum, Vienna

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PARMIGIANINO The Vision of St Jerome oil on canvas


The Vision of St Jerome
The Vision of St Jerome
Painting ID::  32457 		  1527 Oil on wood, 343 x 149 cm
  1527 Oil on wood, 343 x 149 cm

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PARMIGIANINO Recreation by our Gallery oil on canvas


Recreation by our Gallery
Recreation by our Gallery
Painting ID::  32594 		  mk79 1535-1537
  mk79 1535-1537

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PARMIGIANINO Madonna of the Long Neck oil on canvas


Madonna of the Long Neck
Madonna of the Long Neck
Painting ID::  33497 		  mk86 c.1534-1540 Oil on wood 216x132cm Florence,Galleria degli Uffizi
  mk86 c.1534-1540 Oil on wood 216x132cm Florence,Galleria degli Uffizi

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PARMIGIANINO The Entombment oil on canvas


The Entombment
The Entombment
Painting ID::  34264 		  mk91 ca.1523 Oil on canvas transferred from a panel 32x26.5
  mk91 ca.1523 Oil on canvas transferred from a panel 32x26.5

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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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