All PARMIGIANINO Oil Paintings

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
 
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PARMIGIANINO Madonna of St.Zachary oil on canvas


Madonna of St.Zachary
Madonna of St.Zachary
Painting ID::  29880 		  mk67 Oil on panel 29 3/4x23 5/8in Uffizi,Gallery
  mk67 Oil on panel 29 3/4x23 5/8in Uffizi,Gallery

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PARMIGIANINO Madonna of the Long Neck oil on canvas


Madonna of the Long Neck
Madonna of the Long Neck
Painting ID::  29881 		  mk67 Oil on panel 86 1/4x53 1/8in Uffizi,Gallery
  mk67 Oil on panel 86 1/4x53 1/8in Uffizi,Gallery

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PARMIGIANINO Portrait of a Man oil on canvas


Portrait of a Man
Portrait of a Man
Painting ID::  29882 		  mk67 Oil on panel 34 5/8x23 15/26in Uffizi,Gallery
  mk67 Oil on panel 34 5/8x23 15/26in Uffizi,Gallery

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PARMIGIANINO Portrait of a Young Woman oil on canvas


Portrait of a Young Woman
Portrait of a Young Woman
Painting ID::  30488 		  mk68 Oil on wood 26 1/2x21" Parma,Nationa Museum C.1530 Italy
  mk68 Oil on wood 26 1/2x21" Parma,Nationa Museum C.1530 Italy

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PARMIGIANINO Self-portrait in a Convex Mirror oil on canvas


Self-portrait in a Convex Mirror
Self-portrait in a Convex Mirror
Painting ID::  31364 		  nn07 c. 1524 Oil on wood, diameter 24,4 cm Kunsthistorisches Museum, Vienna
  nn07 c. 1524 Oil on wood, diameter 24,4 cm Kunsthistorisches Museum, Vienna

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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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