Carl Schuch Olja Måleriet Reproducering


All Carl Schuch Oil Paintings

(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).
 
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     Carl Schuch
      (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).		  

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Carl Schuch Still Life with Apples, Wine-Glass and Pewter Jug oil painting artist
  Måleriet Identifieringen ::   74420
Still Life with Apples, Wine-Glass and Pewter Jug
c. 1870-1880 Oil on canvas cjr


 
Carl Schuch Weinglas und Zinnkrug oil painting artist
  Måleriet Identifieringen ::   75769
Weinglas und Zinnkrug
Deutsch: um 1870-1880 English: c. 1870-1880 Medium Oil on canvas cyf


 
Carl Schuch Gasthaus Lahnthaler oil painting artist
  Måleriet Identifieringen ::   86587
Gasthaus Lahnthaler
Date 1873(1873) Medium Oil on canvas Dimensions 54.5 x 67.5 cm (21.5 x 26.6 in) cjr


 
Carl Schuch Wildbach oil painting artist
  Måleriet Identifieringen ::   88321
Wildbach
after 1890(1890) (?) Medium Oil on canvas Dimensions 60.3 x 81.8 cm (23.7 x 32.2 in) cyf


 
Carl Schuch Segelschiff auf der Havel oil painting artist
  Måleriet Identifieringen ::   89406
Segelschiff auf der Havel
1878(1878) Medium Oil on canvas Dimensions 70 x 91.5 cm (27.6 x 36 in) cjr


 
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FÖREGÅENDE KONSTNÄR       Nästa Konstnär     
     Carl Schuch
     (30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).

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