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ARTIST: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Art Work: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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Lucien Pissarro

French Camden Town Group Painter, 1863-1944 was a French painter, printmaker and wood engraver. Eldest son of the Impressionist painter Camille Pissarro, he was born in Paris and studied with his father. His works employ techniques of Impressionism and its successor, Neo-impressionism, but he also exhibited with Les XX. From 1890 he lived in London, becoming a British citizen in 1916. While in England he was one of the founders of the Camden Town Group of artists. In 1919, he formed the Monarro Group with J.B. Manson as the London Secretary and Theo van Rysselberghe as the Paris secretary, aiming to show artists inspired by Impressionist painters, Claude Monet and Camille Pissarro.

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Painting ID:: 35526

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mk103 1893 colour woodcut 17.7x11.9
mk103 1893 colour woodcut 17.7x11.9

Jules Breton

1827-1906 French Jules Breton Locations French painter and writer. After the death of his mother he was brought up in the village of Courrires by his father, grandmother and uncle. The last instilled in him respect for tradition and a commitment to the philosophical ideas of the 18th century. Breton father, as supervisor of the lands of the Duc de Duras, encouraged him to develop a deep knowledge of and affection for his native region and its heritage, which remained central to his art.

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Painting ID:: 80205

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oil on canvas painting by Metropolitan Museum of Art, 1868, Metropolitan Museum of Art Date 1868(1868) cyf
oil on canvas painting by Metropolitan Museum of Art, 1868, Metropolitan Museum of Art Date 1868(1868) cyf

Jules Breton
1827-1906 French Jules Breton Locations French painter and writer. After the death of his mother he was brought up in the village of Courrires by his father, grandmother and uncle. The last instilled in him respect for tradition and a commitment to the philosophical ideas of the 18th century. Breton father, as supervisor of the lands of the Duc de Duras, encouraged him to develop a deep knowledge of and affection for his native region and its heritage, which remained central to his art.
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oil on canvas painting by Metropolitan Museum of Art, 1868, Metropolitan Museum of Art Date 1868(1868) cyf

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