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GOLTZIUS, Hendrick

Dutch Baroque Era Painter and Engraver, 1558-1617 Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.

GOLTZIUS, Hendrick Hercules and Cacus dg painting


Hercules and Cacus dg
Hercules and Cacus dg
Painting ID::  6938
  1613 Oil on panel, 207 x 142,5 cm Frans Halsmuseum, Haarlem
  1613 Oil on panel, 207 x 142,5 cm Frans Halsmuseum, Haarlem

 

 
   
      

GOLTZIUS, Hendrick
Dutch Baroque Era Painter and Engraver, 1558-1617 Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.
Hercules and Cacus dg
1613 Oil on panel, 207 x 142,5 cm Frans Halsmuseum, Haarlem

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Related Paintings to GOLTZIUS, Hendrick :.
| Napoleon with His Troops at the Battle of Borodino, 1812 | Children Paddling Walberswick | Venus und Adonis | Portrait of Facob Trip (mk33) | Fireworks in honor of Catherine II in 1787. |


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