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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

Nicolas Poussin Hagar and the Angel painting


Hagar and the Angel
Hagar and the Angel
Painting ID::  10129
  1660Oil on canvas 100 x 75 cm Galleria Nazionale d'Arte Antica, Rome
  1660Oil on canvas 100 x 75 cm Galleria Nazionale d'Arte Antica, Rome

 

 
   
      

Carel fabritius

Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school,

Carel fabritius Hagar and the Angel painting


Hagar and the Angel
Hagar and the Angel
Painting ID::  70578
  ca. 1643-1645 Oil on canvas 157.5 ?? 136 cm (62.01 ?? 53.54 in)
  ca. 1643-1645 Oil on canvas 157.5 ?? 136 cm (62.01 ?? 53.54 in)

 

 
   
      

Carel fabritius

Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school,

Carel fabritius Hagar and the Angel painting


Hagar and the Angel
Hagar and the Angel
Painting ID::  72546
  ca. 1643-1645 Oil on canvas 157.5 X 136 cm (62.01 X 53.54 in) cjr
  ca. 1643-1645 Oil on canvas 157.5 X 136 cm (62.01 X 53.54 in) cjr

 

 
   
      


unknow artist Hagar and the Angel painting


Hagar and the Angel
Hagar and the Angel
Painting ID::  73350
  circa 1570 Oil on canvas cjr
  circa 1570 Oil on canvas cjr

 

 
   
      

FABRITIUS, Carel

Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure

FABRITIUS, Carel Hagar and the Angel painting


Hagar and the Angel
Hagar and the Angel
Painting ID::  74306
  Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf
  Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf

 

 
   
      

FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
Hagar and the Angel
Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf

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