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Vincenzo Catena

Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
Vincenzo Catena Portrait of humanist Gian Giorgio Trissino painting


Portrait of humanist Gian Giorgio Trissino
Portrait of humanist Gian Giorgio Trissino
Painting ID::  90118
   1510(1510) Medium Oil on canvas Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm) cjr
  1510(1510) Medium Oil on canvas Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm) cjr

 
 
   
      
Vincenzo Catena
Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
Portrait of humanist Gian Giorgio Trissino
1510(1510) Medium Oil on canvas Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm) cjr
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