Wholesale Oil Painting No Minimum



Prev       Next     
 
    

MANTEGNA, Andrea

Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.

MANTEGNA, Andrea The Madonna of the Cherubim sg painting


The Madonna of the Cherubim sg
The Madonna of the Cherubim sg
Painting ID::  8050
  c. 1485 Panel, 88 x 70 cm Pinacoteca di Brera, Milan
  c. 1485 Panel, 88 x 70 cm Pinacoteca di Brera, Milan

 

 
   
      

MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.
The Madonna of the Cherubim sg
c. 1485 Panel, 88 x 70 cm Pinacoteca di Brera, Milan

Prev       Next     

Related Paintings to MANTEGNA, Andrea :.
| Natura statica | View from Frederiksborg Castle | Classical hunting fox, Equestrian and Beautiful Horses, 143. | The children of Count Vorontsov | The Renovation program |


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings