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Juan de Arellano

(3 August 1701 - 13 October 1776) was a Spanish painter of the Baroque era who specialized in floral still life paintings. Born in Santorcaz, near Madrid, where he died. He was a pupil of Juan de Solis. Heavily influenced by Flemish and Italian painters (such as Mario Nuzzi), Juan de Arellano was considered to be exceptional in this thematic. According to one of his colleagues, de Arellano decided to focus exclusively on floral paintings because it offered more pay while requiring less work . Some of de Arellano's most famous pieces include Bouquet of Flowers (c.1660), and Garland of Flowers, Birds and Butterfly, currently on display at the Louvre. He also painted for the sacristy of the church of San Jerenimo el Real of Madrid. See Bodegen for a description of one style of Spanish still life painting.

Juan de Arellano Florero de cristal painting


Florero de cristal
Florero de cristal
Painting ID::  74660
  Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. cjr
  Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. cjr

 

 
   
      

Arellano, Juan de

Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.

Arellano, Juan de Florero de cristal painting


Florero de cristal
Florero de cristal
Painting ID::  76178
  Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. Date 1668 cyf
  Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. Date 1668 cyf

 

 
   
      

Arellano, Juan de
Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.
Florero de cristal
Florero de cristal. Óleo sobre lienzo. 83 x 62 cm. Date 1668 cyf

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