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Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.

Carl Larsson Summer Morning painting


Summer Morning
Summer Morning
Painting ID::  41756
  mk163 Watercolor 1908
  mk163 Watercolor 1908

 

 
   
      

Elioth Gruner

New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),

Elioth Gruner Summer Morning painting


Summer Morning
Summer Morning
Painting ID::  75376
  Summer Morning (1916, oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882-1939). cjr
  Summer Morning (1916, oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882-1939). cjr

 

 
   
      

Elioth Gruner

New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),

Elioth Gruner Summer Morning painting


Summer Morning
Summer Morning
Painting ID::  77253
  oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882?C1939). cyf
  oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882?C1939). cyf

 

 
   
      

Rupert Bunny

Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.

Rupert Bunny Summer Morning painting


Summer Morning
Summer Morning
Painting ID::  77263
  1908, oil on canvas, 222.0 x 181.5 cm) by Rupert Bunny (1864?C1947). cyf
  1908, oil on canvas, 222.0 x 181.5 cm) by Rupert Bunny (1864?C1947). cyf

 

 
   
      

Rupert Bunny
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.
Summer Morning
1908, oil on canvas, 222.0 x 181.5 cm) by Rupert Bunny (1864?C1947). cyf

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| Woman as | Moon Night, Paris | Self-portrait. Oil on cardboard, 0.410 x 0.360. | Santa Maria della Salute painting | Trent Seen From the North |


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