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James Abbott McNeil Whistler

1834-1903 James Abbott McNeill Whistler Art Locations
James Abbott McNeil Whistler Nocturne in Black and Gold painting


Nocturne in Black and Gold
Nocturne in Black and Gold
Painting ID::  4590
   1875 23.74 x 18.35 inches / 60.3 x 46.6 cm Detroit Institute of Arts
  1875 23.74 x 18.35 inches / 60.3 x 46.6 cm Detroit Institute of Arts

 
 
   
      

James Abbott Mcneill Whistler

American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
James Abbott Mcneill Whistler Nocturne in Black and Gold painting


Nocturne in Black and Gold
Nocturne in Black and Gold
Painting ID::  56968
   mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
  mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts

 
 
   
      

James Abbott Mcneill Whistler

American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
James Abbott Mcneill Whistler Nocturne in Black and Gold painting


Nocturne in Black and Gold
Nocturne in Black and Gold
Painting ID::  61611
   Nocturne in Black and Gold: The Falling Rocket (1874), Detroit Institute of Arts
  Nocturne in Black and Gold: The Falling Rocket (1874), Detroit Institute of Arts

 
 
   
      
James Abbott Mcneill Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
Nocturne in Black and Gold
Nocturne in Black and Gold: The Falling Rocket (1874), Detroit Institute of Arts
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