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Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
Joachim Wtewael Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  682
   1611 Musee du Louvre, Paris
  1611 Musee du Louvre, Paris

 
 
   
      
Francois Lemoine Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  26629
   mk53 183x149.7cm
  mk53 183x149.7cm

 
 
   
      

MIGNARD, Pierre

French Baroque Era Painter , b. 1612, Troyes, d. 1695, Paris called "Le Romain" to distinguish him from his brother Nicolas, was a French painter. He was born at Troyes, and came of a family of artists; he also needs to be distinguished from his nephew Pierre (1640-1725), often called "Pierre II" or "Le Chevalier". In 1630 he left the studio of Simon Vouet for Italy, where he spent twenty-two years, and made a reputation which brought him a summons to Paris. Successful with his portrait of the king, and in favour with the court, Mignard pitted himself against Le Brun, declined to enter the Academy of which he was the head, and made himself the centre of opposition to its authority. The history of this struggle is most important, because it was identical, as long as it lasted, with that between the old gilds of France and the new body which Colbert, for political reasons, was determined to support. Portrait of Louise de Kerouaille, Duchess of PortsmouthShut out, in spite of the deserved success of his decorations of the cupola of Val de Grace (1664), from any great share in those public works, the control of which was the attribute of the new Academy, Mignard was chiefly active in portraiture. Turenne, Moliere, Bossuet, Maintenon (Louvre), La Valliere, Sevigne, Montespan, Descartes (Castle Howard), all the beauties and celebrities of his day, sat to him. His readiness and skill, his happy instinct for grace of arrangement,
MIGNARD, Pierre Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  29635
   1679 Oil on canvas, 150 x 198 cm
  1679 Oil on canvas, 150 x 198 cm

 
 
   
      

MORAZZONE

Italian Baroque Era Painter, 1573-1625
MORAZZONE Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  29973
   mk67 Oil on cavnas 46 7/8x36 7/16in Uffizi,Gallery
  mk67 Oil on cavnas 46 7/8x36 7/16in Uffizi,Gallery

 
 
   
      

Giovanni Battista Tiepolo

Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
Giovanni Battista Tiepolo Perseus and andromeda painting


Perseus and andromeda
Perseus and andromeda
Painting ID::  31786
   mk76 Painted probably in 1730 Oil on paper,affixed to canvas 20 3/8x16in
  mk76 Painted probably in 1730 Oil on paper,affixed to canvas 20 3/8x16in

 
 
   
      

Giovanni Battista Tiepolo

Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.
Giovanni Battista Tiepolo Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  38194
   mk29 c.1730 Oil on paper affixed to canvas 51.8x40.6cm
  mk29 c.1730 Oil on paper affixed to canvas 51.8x40.6cm

 
 
   
      

Giorgio Vasari

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
Giorgio Vasari Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  44897
   mk176 1570-72 Oil on canvas
  mk176 1570-72 Oil on canvas

 
 
   
      

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Peter Paul Rubens Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  45878
   mk178 around 1650 oils on linen 99.5x139cm
  mk178 around 1650 oils on linen 99.5x139cm

 
 
   
      

RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640
RUBENS, Pieter Pauwel Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  64610
   1620s Oil on canvas transferred from wood The Hermitage, St. Petersburg *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Perseus and Andromeda, detail of Pegasus, 1601-1650, Flemish , painting , mythological
  1620s Oil on canvas transferred from wood The Hermitage, St. Petersburg *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Perseus and Andromeda, detail of Pegasus, 1601-1650, Flemish , painting , mythological

 
 
   
      

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Peter Paul Rubens Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  70494
   Medium Oil on canvas Dimensions Expression error: Missing operand for *99.5 ?? 139 cm
  Medium Oil on canvas Dimensions Expression error: Missing operand for *99.5 ?? 139 cm

 
 
   
      

Lord Frederic Leighton

British 1830-1896 Lord Frederic Leighton Locations
Lord Frederic Leighton Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  73416
   1891 Oil on canvas cjr
  1891 Oil on canvas cjr

 
 
   
      

Lord Frederic Leighton

British 1830-1896 Lord Frederic Leighton Locations
Lord Frederic Leighton Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  75102
   Date 1891 Medium Oil on canvas cyf
  Date 1891 Medium Oil on canvas cyf

 
 
   
      
unknow artist Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  80095
   between 1735(1735) and 1740(1740) Oil on canvas Height: 73 cm (28.7 in). Width: 92 cm (36.2 in). cjr
  between 1735(1735) and 1740(1740) Oil on canvas Height: 73 cm (28.7 in). Width: 92 cm (36.2 in). cjr

 
 
   
      

Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
Joachim Wtewael Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  82525
   H. 1.8 m (70 ¾ in.), W. 1.5 m (59 in.) Oil on canvas, 1611. cjr
  H. 1.8 m (70 ¾ in.), W. 1.5 m (59 in.) Oil on canvas, 1611. cjr

 
 
   
      

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Peter Paul Rubens Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  83639
   Date between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cjr
  Date between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cjr

 
 
   
      

Charles-Amedee-Philippe van Loo

(25 August 1719 -15 November 1795) was a French painter of allegorical scenes and portraits. He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, where in 1738 he won the Prix de Rome, then at Aix-en-Provence, before returning to Paris in 1745. He was invited to join the Academie Royale de Peinture et de Sculpture in 1747, and that year he married his cousin Marie-Marguerite Lebrun, daughter of the painter Michel Lebrun (died 1753). Among his brothers were the painters François van Loo (1708-1732) and Louis-Michel van Loo (1707-1771).
Charles-Amedee-Philippe van Loo Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  84044
   between 1735(1735) and 1740(1740) Medium Oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 92 cm (36.2 in). cyf
  between 1735(1735) and 1740(1740) Medium Oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 92 cm (36.2 in). cyf

 
 
   
      

Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
Joachim Wtewael Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  85974
   Oil on canvas, 1611 cyf
  Oil on canvas, 1611 cyf

 
 
   
      

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Peter Paul Rubens Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  87491
   between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf
  between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf

 
 
   
      

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Peter Paul Rubens Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  88905
   between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf
  between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf

 
 
   
      

Giorgio Vasari

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
Giorgio Vasari Perseus and Andromeda painting


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  89809
   between 1570(1570) and 1572(1572) Medium oil on slate cyf
  between 1570(1570) and 1572(1572) Medium oil on slate cyf

 
 
   
      
Giorgio Vasari
1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
Perseus and Andromeda
between 1570(1570) and 1572(1572) Medium oil on slate cyf
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