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L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE

Date 1786 Medium peinture X l'huile ; toile Dimensions 120 X 140 cm (47.24 X 55.12 in) cyf

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L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE, Baron Jean-Baptiste Regnault
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Baron Jean-Baptiste Regnault:

Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs. china oil painting Baron Jean-Baptiste Regnault L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE

Related Paintings to Baron Jean-Baptiste Regnault :.
| Oil painting in USA | Rembrandt Harmenszoon van Rijn054 (4) | Elias, Isaac -- Feestvierend gezelschap, 1629 | Henry Inman--Henry G | Raffaello Santi04 (2) | Basket of Apples | oscar bjorck-et nodskud | Anders Zorn-Woman getting dressed | El Greco-La anunciacion | Frederic Edwin Church-The andes of Ecuador | Carl Spitzweg-Old tavern near lake Starnberger See |

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Baron Jean-Baptiste Regnault