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Der grobe Tag des gottlichen Zorns

c. 1853 Oil on canvas 196,5 ?? 303 cm

Oil Painting ID::. 66582   Terms & Conditions
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Der grobe Tag des gottlichen Zorns, John Martin
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John Martin:

British 1789-1854 John Martin Gallery His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth. Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world. china oil painting John Martin Der grobe Tag des gottlichen Zorns

Related Paintings to John Martin :.
| Oil painting in USA | Chardin Jean-Baptiste-Simeon60 | Velde, Willem van de (I) -- Episode uit de Vierdaagse Zeeslag, 11-14 juni 1666 | Quentin Massys - The Tax Collectors, End of 1st quarter of 16th C | Claude Monet 046 (3) | Peter Paul Rubens701 | VELAZQUEZ, Diego Rodriguez de Silva y-Self Portrait set | GIOTTO di Bondone-The Suitors Praying | Vincenzo Catena-Portrait of humanist Gian Giorgio Trissino | John William Waterhouse-The Shrine | Paul Klee-landskap med gula faglar |

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John Martin